There are times when I leave a Schmazz @ The Cluny gig wondering if I've been transported into the next millennium or indeed if I'm still on the same planet. There have even been times when I've feared for my sanity or at least that of those around me. I'm delighted to say that, tonight was not such a night.
The Kevin McKenzie Quartet, displaying a rare brand of originality, managed to incorporate a suggestion of Scottish folkiness with some post contemporary hard blowing that verged on the free but never became totally unshackled—I'm pleased to say.
Tenor saxist Phil Bancroft had some storming moments that at times reflected early Ornette or maybe Archie Shepp. These contrasted with the more sedate playing of Kevin McPherson whose guitar mastery was beyond question. The two also indulged in a few fascinating choruses of improvised interplay.
Behind them, Aidan O'Donnell on double bass provided the harmonic foundation for the two frontmen's flights of fancy whilst on drums, Tom Gordon, an absolute colossus, drove them unmercifully forward. Tom also contributed several powerhouse solos.
This is pretty close to being as good as it gets at the cutting edge.
For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Bebop Spoken There
Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)
The Things They Say!
This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)
Postage
18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57
Reviewers wanted
Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog.
Look forward to hearing from you. Lance
From This Moment On
March
Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).
April
Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Tuesday, December 16, 2008
Kevin McKenzie Quartet - Schmazz at the Cluny
There are times when I leave a Schmazz @ The Cluny gig wondering if I've been transported into the next millennium or indeed if I'm still on the same planet. There have even been times when I've feared for my sanity or at least that of those around me. I'm delighted to say that, tonight was not such a night.
The Kevin McKenzie Quartet, displaying a rare brand of originality, managed to incorporate a suggestion of Scottish folkiness with some post contemporary hard blowing that verged on the free but never became totally unshackled—I'm pleased to say.
Tenor saxist Phil Bancroft had some storming moments that at times reflected early Ornette or maybe Archie Shepp. These contrasted with the more sedate playing of Kevin McPherson whose guitar mastery was beyond question. The two also indulged in a few fascinating choruses of improvised interplay.
Behind them, Aidan O'Donnell on double bass provided the harmonic foundation for the two frontmen's flights of fancy whilst on drums, Tom Gordon, an absolute colossus, drove them unmercifully forward. Tom also contributed several powerhouse solos.
This is pretty close to being as good as it gets at the cutting edge.
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1 comment :
I thoroughly enjoyed this session too. Fantastic musicianship all round and cutting edge but completely legitimate playing. Very modern but somehow attractive and accessible. First time I've heard Kevin but what a great player. That's yet another international class guitarist from Scotland - there seem to be several of them just now.
Roly
diriash
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