First day of the new term. Admission may have gone up a pound but with a cash point opposite it's no excuse for missing out on an appetising opening session by the Paul Edis Sextet (see previous post for personnel).
As well as some innovative takes on standards, there were original compositions by Paul and Graeme. All were well received by an appreciative, near capacity, audience..
Clifford Brown's "Joyspring" with Noel Dennis on Flugel had a warm sound and Graeme Wilson's chart of "Autumn In New York", whilst it may not have been quite what Vernon Duke intended, sounded PDG.
Chris Hibbard, on trombone, did the business on "Carnival". Trombone can be the most luscious sounding of instruments when played ballad style.
Mick, Adam and Paul were of course as cool a rhythm section as ever as well as soloing to advantage. Paul, in particular, was on form. At times the ideas just seemed to explode into a kaleidoscope of sound.
If there was a low point and it is a very big 'if' then it has to be "Caravan". The Juan Tizol tune is one of my blind spots and tonight didn't change things. Nevertheless, Adam Sinclair did have some imaginative breaks that eased the pain a little.
A corker.
Next week Mark Williams Trio.For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Bebop Spoken There
Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)
The Things They Say!
This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)
Postage
18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25
From This Moment On ...
March
Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free
Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!
Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).
Reviewers wanted
Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog.
Look forward to hearing from you. Lance
Monday, September 01, 2008
Paul Edis Sextet at The Side Café
First day of the new term. Admission may have gone up a pound but with a cash point opposite it's no excuse for missing out on an appetising opening session by the Paul Edis Sextet (see previous post for personnel).
As well as some innovative takes on standards, there were original compositions by Paul and Graeme. All were well received by an appreciative, near capacity, audience..
Clifford Brown's "Joyspring" with Noel Dennis on Flugel had a warm sound and Graeme Wilson's chart of "Autumn In New York", whilst it may not have been quite what Vernon Duke intended, sounded PDG.
Chris Hibbard, on trombone, did the business on "Carnival". Trombone can be the most luscious sounding of instruments when played ballad style.
Mick, Adam and Paul were of course as cool a rhythm section as ever as well as soloing to advantage. Paul, in particular, was on form. At times the ideas just seemed to explode into a kaleidoscope of sound.
If there was a low point and it is a very big 'if' then it has to be "Caravan". The Juan Tizol tune is one of my blind spots and tonight didn't change things. Nevertheless, Adam Sinclair did have some imaginative breaks that eased the pain a little.
A corker.
Next week Mark Williams Trio.
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2 comments :
I agree that the gig was excellent.I thought Noel Dennis excelled.How come you don't like Caravan?I bet Chris Hibbard played in a brass band.He has a nice measured approach,not least on Caravan(!)
I love "Caravan" or rather I did the first million times I heard it. After that, well you know what familiarity breeds...
Some tunes I can listen to ad infinitum and still love them. Others, such as "Caravan", "Summertime", "Over The Rainbow" and "Mood Indigo" irritate me purely because they've been done to death.
It's a personal thing and I'm quite sure other people feel the same about some of my favourites such as "Way You Look Tonight", "Body and Soul" among others.
And yes Chris H did solo well on "Caravan" - despite the tune!
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