Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Monday, September 08, 2008

Mark Williams Trio at the Side Café

Another adrenalin pumping session from the Mark Williams Trio; Mark (gtr), Paul Sousands (bs) and David Carnegie (dms). If it seems as though David Carnegie is on just about every gig it is because he usually is! However, that is soon to change as he is, so I'm told, about to move back to the Caribbean. Savour him whilst he's still here folks.
Hopefully Mark is not returning to the Emerald Isle in the immediate future as that too would be a big loss to the local scene. Tonight, he effortlessly moved from explorative balladry to Pink Floydlike thrashes with an occasional, almost imperceptible, nod towards Nashville.
David, of course, was his usual powerhouse self and my one big regret at his imminent departure is that of never having heard him with a big band. I rather feel that might have been something special.
Although bassist Paul Sousands, possibly because of the nature of his instrument, is the least flamboyant member of the trio, his contribution is no less important. His solo work was imaginative; his ensemble playing more than mere timekeeping.
As if that wasn't enough, in the ensuing jam, Roly Veitch played his own composition "Calypso Jim" dedicated originally to Jim Hall but tonight as a thank you to David Carnegie.
It was a delightful vignette and gave a timely reminder that Roly is a master of his chosen style.

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