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Bebop Spoken There

Ben Pollack: "The kind of people who go for the old style New Orleans jazz are the same kind of people who go in for collecting antiques." - (Down Beat May 5, 1950).

Flip Phillips: "I heard this band out in California. I think - Lu Waters, isn't it? They sure can march down the street but I wouldn't want to march with them!" - (Down Beat June 15, 1951).

Today Monday June 26

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
????????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 22, 2015

Sue Ferris Quintet @ The Black Bull. June 21

Sue Ferris (tenor & baritone saxophones, flute), Graham Hardy (trumpet & flugelhorn), Stuart Collingwood (keyboards), Ian Paterson (double bass) & Rob Walker (drums)
(Review by Russell/Photos courtesy of Roly.)
Blaydon Jazz Club invited Sue Ferris to bring in her quintet to play a gig at this year’s Blaydon Festival. The longest day was perhaps the coldest June day in living memory. Inclement weather didn’t deter the regulars and they were rewarded with a fine gig by Ferris and her top-notch band.
Peri’s Scope set the pace ensuring the boys in the band were nicely warmed up. Ferris’ regular frontline partner Graham Hardy played plunger mute on Just Squeeze Me, Stu Collingwood and Ian Paterson soloed leaving the way clear for Ferris’ tenor to take it home. An early highlight – perhaps the highlight of the night – featured Hardy and an inspired Rob Walker rifling apposite accents on Monk’s Well, You Needn’t. The little-heard Wayne Shorter composition Look at the Birdie convinced some that the cartoon birdsong owed something to the golden age of Hollywood animators.

Drummer Rob Walker made running repairs to a hi-hat stand (gaffer tape a temporary solution) leaving Ferris to fill as best she could – I don’t tell jokes, she said. Cue Roly Veitch to make a few parish announcements. One such announcement should be noted: Sunday July 5 – trumpeter Colin Aitchison and Franco Valussi (clarinet) return with Cumbria-based reedsman Steve Andrews. Don’t miss this one, arrive early or you may not get a seat. Walker up and running once more, Ferris switched to flute (Hardy made the change to flugelhorn) to close out a fantastic first set with Witchcraft.
A brace of Horace Silver tunes kicked-off the second set; Opus de Funk then Song For My Father (Ferris and Paterson the soloists). A Graham Hardy arrangement of Leonard Bernstein’s One Hand, One Heart featured the arranger himself on flugel. Ferris took a samba approach to Secret Love before picking up the big beast (her baritone sax) on two standards; Rollins’ Doxy and Hoagy’s Stardust. To round off a great night Ferris made a Black Coffee – the perfect nightcap. 

Russell.      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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