Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18482 (and counting) posts since we started blogging 18 years ago. 346 of them this year alone and, so far this month (April 30 ) 80

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sat 02: Midnite Follies Orchestra @ St Augustine’s Parish Centre, Darlington. 12:30pm. £20.00. Darlington New Orleans Jazz Club. All-star line-up.
Sat 02: Knats Masterclass & Jam II @ The Glasshouse, Gateshead. 1:00-3:00pm. £15.00.
Sat 02: Shannon Pearl + John Pope & John Garner @ Langley Tracks, Langley on Tyne NE47 5LA. 5:30pm (doors). £15.00. + £1.50. bf. ‘Witch-pop’ + Pope & Garner.
Sat 02: Knats + Nauta @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 02: Midnite Special @ Station East, Gateshead. 7:30pm. Free. A Lonnie Donegan ‘King of Skiffle’ celebration.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 03: Chilcott Jazz Mass @ St George’s Church, Jesmond, Newcastle. 9:30am. Free. Sung communion with Parish Choir (featuring Bob Chilcott’s music). A Jesmond Community Festival event.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 03: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Mark Toomey (alto sax).
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Tom Waits for No Man @ Oxygenic, Whitley Bay. 3:00pm (2:30pm doors). Neckties and Boxing Gloves album launch. £14.00 (gig & a CD); £8.00 (gig only). SOLD OUT!
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 03: John Pope & John Garner @ The Globe, Newcastle. 8:00pm. £12.00., £10.00.

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 4:00-6:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Robert Finley @ The Cluny, Newcastle. 7:30pm (doors). £17.50. Excellent US falsetto soul/blues voice.
Thu 07: ALT @ The Black Swan, Newcastle. 7:30pm. Free. Alan Law, Paul Grainger, Rob Walker. Thu 07: Liam & Shayo @ The Globe , Newcastle. 8:00pm. £5.00. Liam Oliver (guitar), Shayo Oshodi (vocals).
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 08: Alan Law Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Law, Mick Shoulder, John Bradford.
Fri 08: Giles Strong & Richard Herdman @ Jesmond Library, Newcastle. 1:00pm. £5.00. Guitar duo.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Milne Glendinning Band @ Cobalt Studios, Newcastle. 6:00pm . Free. A Late Shows event.
Fri 08: Nigel Kennedy @ The Hippodrome, Darlington. 7:30pm. Line-up inc. Alec Dankworth.

Saturday, February 21, 2026

Single review: Jo Harrop If Ever I Would Leave You – Live in London (Wolf Star Records)

Jo Harrop (vocal); Paul Edis (piano); Jamie McCredie (producer)

There are moments in an artist’s life when a song, long associated with another era or another voice, becomes entirely reborn—claimed, reshaped, and inhabited so completely that it feels as though it always belonged to them. Jo Harrop’s new live single, If Ever I Would Leave You (from the musical Camelot), is one of those rare, alchemical transformations.

Harrop has made a career of taking well-worn material and revealing the emotional architecture beneath it—her critics have praised her “late-night hush,” “smoky intensity,” and “Ella-meets-Peggy Lee phrasing”—but nothing quite prepares you for the sheer depth she brings to this Robert Goulet classic. Recorded live in London, the performance captures what she does best: bending time, caressing lyrics until they glow, and honouring the song while gently rewriting its emotional grammar.

At the centre of this spellbinding rendition is her long-serving musical partner, Paul Edis, whose intuitive playing feels less like accompaniment and more like an extension of Harrop’s breath. Together, they move with the fluid precision of artists who have spent years reading—not just each other’s cues—but each other’s souls. Edis seems to anticipate every nuance: when she holds a note a fraction longer, he widens the harmonic palette; when she darkens the tone, he follows her into the shadows with quiet, breathtaking restraint.

The result is a masterclass in duo performance: subtle, spacious, and unhurried. Harrop does not simply sing this song; she lives inside it.

Crucial to the single’s impact is the sonic clarity shaped by producer Jamie McCredie, whose fingerprints have graced several of Harrop’s finest recordings. His work here captures the warmth of the room, the tension of breath between phrases, the unmistakable electricity of a London audience leaning into every syllable. McCredie once again proves himself a producer who knows how to frame Harrop’s voice—never over-polished, never over-lit, always achingly intimate.

As the first release from her forthcoming Live in London EP—issued via Wolf Star Records—this beautifully produced single feels both like a summation of where Harrop is artistically and a thrilling signpost to what comes next. It is independent music-making at its most authentic: fearless, tender, and delivered with emotional truth.

A timeless song, reclaimed with authority.
A vocalist at the height of her powers.
A pianist in perfect synchrony.
A producer who understands the art of capturing lightning.

If ever she would leave you?
On the strength of this performance, not a chance. Glenn Wright

 

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