Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 28, 2019

John McLaughlin and the 4th Dimension @ the Barbican, London – April 23.

John McLaughlin (guitar, vocals); Gary Husband (keyboards, drums, vocals); Etienne M'bappe (bass, vocals); Ranjit Barot (drums, vocals).
(Review by Steve T)

The person who introduced the show observed that you can punctuate your life via the different phases of John McLaughlin. My own experience of the uber guitarist has been more intermittent, with my first in ‘73, two in the mid-nineties and three in the last four years.

I thought we might get some more Mahavishnu Orchestra and they opened with Trilogy, the long piece from Between Nothingness and Eternity (1973), with some added konnakol singing from Ranjit Barot, variously described as Indian scat singing and Indian drum language.

Thereafter, the set was drawn from across his long career, including Love and Understanding from Electric Dreams (1979) and Pharoah Saunder's The Creator Has a Masterplan, which he originally covered on the album he shared with Carlos Santana (also ‘73).
Most of the rest was perfectly enjoyable but, as with much post-seventies fusion, tended to blend into each other, despite inspired musicianship by all concerned. This more or less culminated in the inevitable drawn-out drum duel between Barot and Husband, some more konnakol breaking it up.

After the golden age of rock concerts, drum solos more or less fell out of favour and, while I welcome their recent return, I prefer the concise variety.

A welcome encore but a disappointment that he didn't dip back into the Mahavishnu catalogue, choosing something written by Husband he described, rather dubiously, as rock and roll.

They received an appropriate level of adulation from an ever so nearly sell-out Barbican. At seventy-seven, he's still mighty impressive, though noticeably less so than four years ago or eighteen months ago, which was precisely the motivation for the trip. A final homage to an extraordinary musician and artist who had a massive impact on me all those years ago.

I won't be travelling any distance to see this band again, but don't bet against future collaborations with old sparring partners, including Zakir Hussain, Chick Corea, Jean Luc Ponty, Al DeMiola, Santana, Kenny Garrett, Trilok Gurtu, Stanley Clarke, Joey De Francesco, Christian McBride, L Shankar, Narada Michael Walden, Dave Holland, Billy Cobham, Jan Hammer, Rick Laird, Jerry Goodman etc etc ad infinitum.    
Steve T.

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