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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 25, 2016

Memories of Jazz on a Sunday Afternoon. Part One - The Bluebell, Felling.

The first Sunday lunchtime jazz I encountered was, circa 1960 at the Bluebell pub in Felling. At the time I was playing cornet in a brass band (saxophone was lurking on the horizon..) I'd been playing with the band at the Durham Miners Gala and chilling out (sobering up) in a local CIU club. A guy came up and said, "Can I borrow your cornet?) "Okay" I replied, thinking, odds on Oh Mein Papa.
Was I wrong! He blew At the Jazz Band Ball better than Freddy Randall! Afterward, after I'd complimented him on his playing, he invited me to hear him really play and to come along to the Bluebell, a pub in Felling the following Sunday morning.
Despite a massive hangover (obligatory after a Durham Miners' Gala) I turned up and wasn't disappointed.
This was the late Teddy Langston (on the the left of the picture - I'm the guy on the right). A trumpet player who, like Kenny Baker, could cut it with both jazz group and brass band. These days most guys can but, back then, there was a great divide. Also in the band was Arthur Luke on trombone and double bass. Arthur had been with Henry Hall, I'd went to school with his daughter, and he could play That's a Plenty on trombone manipulating the slide with his feet.
The band had Arthur's nephew Billy Luke on piano, Ray Johnson on guitar and Jimmy Stephenson on drums.
They played great together yet all hated each other! Perhaps that was what made the music so good - competition.
Pro players from the Oxford Galleries would drop by looking for an easy jam and find it was anything but easy to cut these guys!
When the differences between them became too great they split and some younger guys moved in. These included Brian Chester, Jimmy Stewart, Ronnie Young and Gordon Solomon. All of whom would feature in other Sunday lunchtime sessions elsewhere... (To be continued)
Lance.

4 comments :

Brian Bennett said...

Have you still got your tartan jacket, Lance? Collector's piece!

Lance said...

We had two sets. A blue tartan and a red tartan. I've still got the red tartan. That particular photo was taken in 1975 at Feathers caravan park club at Whitley Bay. We were the Lighthouse Show Band - not to be confused with the Lighthouse All Stars in L.A. As if there could be any confusion!

Brian said...

Wow! You must show it off sometime! Knock em' dead at the Jazz Caff!
Coincidently, I also played a Friday night session in 'The Galleon' club at Feathers in the early 70's. 6-piece trad band which included Biff Smith, cornet; Martin Simon, tenor and Brian Sibbald, bass. Lots of 'happy' Scots holiday makers stumbling around the dance floor - their favourite dance was a kind of line dance called 'The Slosh'. Happy days!

Lance said...

Yes it was popular with Scottish holiday lasses many of whom (I'm told) said 'Och aye'. The audience changed every couple of weeks so you didn't have to worry about learning new tunes. I remember 'The Slosh' which was around the time sequence and line dancing started to take hold and the once triumphant quicksteps and foxtrots were dealt the death blow that had begun some years previous with The Twist.
With the advent of 'Strictly Come Dancing' the ballroom has once more become a focal point although I don't recall seeing much dancing like that at Felling Palais or Jarrow Store Hall!
Come in Len Goodman!

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