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Bebop Spoken There

Ambrose Akinmusire: “I love teaching, and I love the exchange. And I’m starting to accept my role as a mentor. That sounds weird to say. But I can’t avoid the fact that there are younger musicians who are watching me.” – (Down Beat September 2017).

Mike Gibbs: “Rehearsals are a chance for players to learn my degree of vagueness.” – (Jazzwise September 2017).

Archives

Thursday September 21

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. 1:30pm. Free. 01325 463262.

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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Courtney Pine: Black Notes from the Deep - Sage Gateshead NE8 2JR. 7:30pm. £25.60. 0191 4434661.
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Katie Mac (w. 6 piece band) - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.
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Emma Fisk & James Birkett - St. Cuthbert's Church, Shadforth DH6 1LF. 7:30pm.
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Pocket Jazz Orchestra: Jazz & Tapas - No. 60, Arc, Dovecote St., Stockton TS18 1LL. 7pm. £10.
Tees Hot Club w. Alan Marshall (saxes); Kevin Eland (trumpet); Ted Pearce (keys) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 25, 2016

Memories of Jazz on a Sunday Afternoon. Part One - The Bluebell, Felling.

The first Sunday lunchtime jazz I encountered was, circa 1960 at the Bluebell pub in Felling. At the time I was playing cornet in a brass band (saxophone was lurking on the horizon..) I'd been playing with the band at the Durham Miners Gala and chilling out (sobering up) in a local CIU club. A guy came up and said, "Can I borrow your cornet?) "Okay" I replied, thinking, odds on Oh Mein Papa.
Was I wrong! He blew At the Jazz Band Ball better than Freddy Randall! Afterward, after I'd complimented him on his playing, he invited me to hear him really play and to come along to the Bluebell, a pub in Felling the following Sunday morning.
Despite a massive hangover (obligatory after a Durham Miners' Gala) I turned up and wasn't disappointed.
This was the late Teddy Langston (on the the left of the picture - I'm the guy on the right). A trumpet player who, like Kenny Baker, could cut it with both jazz group and brass band. These days most guys can but, back then, there was a great divide. Also in the band was Arthur Luke on trombone and double bass. Arthur had been with Henry Hall, I'd went to school with his daughter, and he could play That's a Plenty on trombone manipulating the slide with his feet.
The band had Arthur's nephew Billy Luke on piano, Ray Johnson on guitar and Jimmy Stephenson on drums.
They played great together yet all hated each other! Perhaps that was what made the music so good - competition.
Pro players from the Oxford Galleries would drop by looking for an easy jam and find it was anything but easy to cut these guys!
When the differences between them became too great they split and some younger guys moved in. These included Brian Chester, Jimmy Stewart, Ronnie Young and Gordon Solomon. All of whom would feature in other Sunday lunchtime sessions elsewhere... (To be continued)
Lance.

4 comments :

  1. Have you still got your tartan jacket, Lance? Collector's piece!

    ReplyDelete
    Replies
    1. We had two sets. A blue tartan and a red tartan. I've still got the red tartan. That particular photo was taken in 1975 at Feathers caravan park club at Whitley Bay. We were the Lighthouse Show Band - not to be confused with the Lighthouse All Stars in L.A. As if there could be any confusion!

      Delete
  2. Wow! You must show it off sometime! Knock em' dead at the Jazz Caff!
    Coincidently, I also played a Friday night session in 'The Galleon' club at Feathers in the early 70's. 6-piece trad band which included Biff Smith, cornet; Martin Simon, tenor and Brian Sibbald, bass. Lots of 'happy' Scots holiday makers stumbling around the dance floor - their favourite dance was a kind of line dance called 'The Slosh'. Happy days!

    ReplyDelete
  3. Yes it was popular with Scottish holiday lasses many of whom (I'm told) said 'Och aye'. The audience changed every couple of weeks so you didn't have to worry about learning new tunes. I remember 'The Slosh' which was around the time sequence and line dancing started to take hold and the once triumphant quicksteps and foxtrots were dealt the death blow that had begun some years previous with The Twist.
    With the advent of 'Strictly Come Dancing' the ballroom has once more become a focal point although I don't recall seeing much dancing like that at Felling Palais or Jarrow Store Hall!
    Come in Len Goodman!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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