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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009:30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 18, 2016

A Jazz Christmas Carol @ Ushaw College. Dec 17

(Review by Russell/Photos courtesy of Ken Drew).
County Durham’s jazz fans turned out en masse for this stellar occasion at Ushaw. The ‘never miss’ were joined by the ‘rarely miss’ and ‘others’ swelled audience numbers to such an extent that the majority of seats in the imposing Exhibition Hall were occupied shortly before the eight o’clock start. Alan Barnes’ A Jazz Christmas Carol attracted an audience of hardcore fans, musicians (‘night off’ entered in the diary months ago), and, no doubt, enthusiasts of Charles Dickens.
The Alan Barnes’ All Star Octet was just that – ‘all-star’. Last week’s announcement of this year’s British Jazz Awards (poll winners and the top five) couldn’t have been more opportune. Barnes himself won best clarinet, Mark Nightingale top trombone and Clark Tracey, drums. The other five members of the Octet – Karen Sharp and Robert Fowler, reeds, Bruce Adams, trumpet, Dave Newton, piano and Simon Thorpe, bass – placed in the top five in their respective categories.

Barnes played the part, attired in Victorian night clothes, looking a right old Dickensian! Brandishing a candlestick holder, bandleader Barnes extinguished the flame, the reading would now commence. Spectacles perched, our Dickensian read passages, stopping from time to time as a thought occurred, sharing an idea, an observation, unfailingly hilarious. The jazz? Ah! Music of such quality, the nonchalance of it all masked their mastery. The band members laughed along, whether they were hearing the joke for the first time or the umpteenth. The audience loved it, some scarcely suppressing a giggle in anticipation of a one-liner. Barnes’ long-time sparring partner Bruce Adams, himself a wit, chose to hold his counsel, steadfastly refusing to rise to the bait – Barnes describing a Dickensian feast of turkeys, hams, suckling pigs, and more, looked along the line at the ‘portly’ trumpeter (A Barnes’ description) asking: Has anyone been to lunch at Bruce’s house?

The jazz was superb. The Ghost of Jacob Marley (along with the Ghosts of Christmas, Past, Present and Yet to Come) the musical/literary device linking sections, featuring members of the band/cast. The Start of It heard a three clarinet frontline intro of Barnes, Karen Sharp (later cast as an unlikely Bah Humbug on baritone) and  Robert Fowler. To the left of Barnes stood Sharp and Fowler, then Adams and trombone master Mark Nightingale. Taking the opportunity to extol the talents of one of the world’s great trombone players, Barnes looked at Dave Newton seated to his right and wondered out loud why he wasted his time tinkering at the piano! Hoots of laughter, cue Mark Nightingale, one of the great trombone players.

Picking up the bass clarinet Barnes said: I don’t know what this is, but earlier I caught Dave Newton smoking it. I confiscated it and found I could get a tune out of it!  And how!
The frontline played acoustically. The cavernous Exhibition Hall, with its ornate vaulted roof, posed no problems in projecting the sound. The purring rhythm section (the bearded professorial looking Newton, the smiling bassist Simon Thorpe and the lugubrious award-winning Clark Tracey, drums) offered a master class of its own. And so, we came to The End of It. Barnes closed the book, spectacles to one side, the band went out swinging on  God Bless Us Everyone.

Dickens done, Barnes’ All Star Octet left us with a few Christmas tunes (Bah Humbug!). The Christmas Song, the rhythm section boys soloing by way of introduction on Winter Wonderland and a sprinkling of Blue Monk on Santa Claus is Coming to Town. A five-star entertainment, Merry (Bah Humbug!) Christmas!                                        
Russell.
Alan Barnes (alto sax, clarinet, bass clarinet), Karen Sharp (tenor sax, baritone sax, clarinet), Robert Fowler (tenor sax, baritone sax, clarinet), Bruce Adams (trumpet), Mark Nightingale (trombone), Dave Newton (piano), Simon Thorpe (double bass) & Clark Tracey (drums)

1 comment :

Hugh said...

Summed up artfully, Russell - a great gig; the album is a cracker too AND there is still time for Santa to deliver it to your Christmas stocking! Available for a miserly sum of £10 here: http://www.woodvillerecords.com/A-Jazz-Christmas-Carol.htm

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