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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16434 (and counting) posts since we started blogging 16 years ago. 314 of them this year alone and, so far, 26 this month (May 9).

From This Moment On ...

May

Fri 17: Dave Newton & Dean Stockdale @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 17: Strictly Smokin’ Big Band @ The Fire Station, Sunderland. 7:30pm. Album launch gig featuring Alan Barnes, Bruce Adams & Paul Booth!
Fri 17: Hot Club du Nord @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 18: Jam session @ The Black Swan, Newcastle. 7:00-9:00pm. Free. Celebrating ‘10 years of the Jazz Jam!’. House trio: Alan Law, Paul Grainger, Tim Johnston. A Late Shows event.
Sat 18: SH#RP Collective @ Holy Name Parish Church Hall, Jesmond, Newcastle. 7:00-9:00pm. Tickets: £15.00. Bar available, BYO snacks. A Jesmond Community Festival event. All proceeds to Kabuyanda Charity (Ugandan health care).
Sat 18: Red Kites Jazz @ Staithes Café, Autumn Drive, Gateshead. 7:30pm.
Sat 18: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 18: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 18: Papa G’s Amigos special summer Latin set @ The Schooner, Gateshead NE8 3AF. 9:00pm. Free.
Sat 18: Late Night Special with Ruth Lambert & special guests @ The Black Swan, Newcastle. 10:00pm-midnight. £5.00. (booking essential). Lambert & surprise jam session guests from down the years.

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Sunday, December 13, 2015

Euan Burton Quartet @ The Globe - Dec. 12

Euan Burton (bass); Adam Jackson (alto); Tom Gibbs (piano); Alyn Cosker (dms).
(Review by Minnie Fraser/Photo courtesy of Steve Horowitz/Gavin).
The band arrived in good time despite the weather - apparently there was no snow in Glasgow. This was the last date of their UK tour which had seen them travel the length of the country from Aberdeen to Poole in Dorset. Sadly, a number of those who had been planning to attend were prevented by a heavy fall of snow. However, the audience who did make it were very appreciative.
Euan Burton, who played his amazing fold away double bass brilliantly, has assembled an excellent quartet. Tom Gibbs, seen recently with Brian Molley at the Globe, exemplary on piano, Adam Jackson, sublime on alto sax and Alyn Cosker provided precocious percussion at the kit.
Two sets of original music made all the more enjoyable by Euan's explanations of their meaning or what they were meant to evoke.

The Implication, a name greatly simplified after a reviewer had said the tune had the worst title they had ever heard of! Well, we don't have mean reviewers like that here, especially as we would like to welcome these guys back again sometime!  Who cares about the name anyway when the music is so amazing!  Cosker's drumming was incredibly skilful - using sticks, brushes, mallets and occasionally bare hands - producing a great variety of sound ranging from driving rhythms that dominated down to gentle stroking of snare and closed hi-hat in the quieter moments.
Jackson was exceptional on alto sax, displaying an incredible range of musical gymnastics, from smooth tuneful and gentle, to soaring runs and occasional staccato. Gibbs gave wonderful accompaniment on the piano, but his solos were well worth waiting for. Burton's excellent double bass underpinned all the music, but he really came into his own when soloing although he wasn't greedy in that respect despite having composer's prerogative.
The variety in Burton's compositions gave us a very entertaining evening. Six was a good example of variety in a single piece (this tune is called "six" because it is the sixth track on Burton's album "Occurrences").  This was introduced as a piece about being dumped and veering from angry hate to sad heartbreak. The moods in the piece were clearly identifiable in loud and dissonant anger resolving into tuneful contemplative quietness with mournful sax and piano accompanied by gentle bass and very quiet brushing on the drums.
Earlier in the set we were treated to Any Given Sunday a title inspired by the amount of good live music available on a Sunday in Glasgow. Burton then admitted that it was only the title that was this inspired and the music had nothing to do with that!  We soon forgave him when he said he would rename it Any Given Saturday and dedicated it to Jazz Coop at The Globe!
The Quartet finished the evening with South to evoke a place with a warm climate. This piece started off with a lovely bass and drums duet with Cosker making the most of his toms and cross-sticks. The piano and sax joined in tunefully with smooth melodies interspersed with staccato play/pause. This built up to a crescendo leading to an excellent drum solo using the whole kit where Cosker's sticks were a blur! Well-deserved applause finished the evening. CDs were in sale at the end and Burton said "Christmas is coming, what better present is there than a cd of progressive jazz by someone you have never heard of?"  
Well you have heard of him now!
Minnie.

2 comments :

Lance said...

Thanks Minnie, as one one of the 'weather wimps' please explain the 'fold away double bass.'

Minnie said...

I have never seen one before - he loosened the strings, slid something and disconnected the neck which was then stowed inside the body through a section of the back which lifts out. The leg at the bottom also went inside. He said it was the only way they could get everything into one car - which is important for all their travelling!

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