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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, January 11, 2015

Jazz Coop @ The Globe: Steve Glendinning Quartet: Sat Jan 10

Steve Glendinning (guitar); Chris Jelly (vibes); Mike Clarke (bass); Mark Robertson (drums)
(Review by Ann Alex)
The Jazz Coop gigs are definitely on the up if last night was anything to go by, both musically and in the size of the audiences.  Thirty two paying customers on a cold January night isn’t half bad, and a quartet playing jazz/fusion music, with the sound of the vibes to add something a bit unusual and interesting. In fact on seeing the bass player I thought for a moment that I was listening to French jazz  – Mike Clarke was bearded, bespectacled and wearing a black beret, looking every inch as if he should be playing on the left bank of the Seine.
As many readers will know, fusion was what happened to jazz in the 1960’s, when jazz gained influences from rock, pop and funk, with tunes from the likes of Miles Davis and Herbie Hancock added to the mix.  In fact Steve began with a beautiful guitar solo September 15th, as a tribute to the great Bill Evans, and also in remembrance of Keith Crombie of the original Jazz Cafe.  Then came les tout ensemble with Question and Answer, the sound of the vibes coming into its own, sweet, flowing, and precise.  The whole set was very accessible yet the music is complex and interesting, with solos well integrated.  Other tunes played were Imagination, not the song but an original composition from Steve and Chris; the wonderfully-named Saga Of Harrison Crabfeathers with solos from bass and guitar.  The first half was rounded off with Big Schlepp, which was a big tune with strong rocky guitar.
The longer 2nd half began with an original from Chris, a piece full of tuneful echoes on the vibes, ending with a whoooo from guitar. Chic Corea’s La Fiesta followed, then came a complete change with a serene G Minor Blues; then a ballad Hermitage; a tune called Red Clay; Emile Richards Yo Yaz; and another Steve and Chris original. Beautiful Love gave us some skilled light brushwork on the drums: the final tune was supposed to be the theme from Black Opheus, with lively Latin improvisation from Steve, but then an encore was demanded, which turned out to be a boppy version of Mr PC, which included solos all round and 4’s with the drums. 
Well done lads!   
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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