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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, January 19, 2015

Chris Standring Quartet @ The (Jazz Co-op) Globe Jazz Bar - January 17

Chris Standring (gtr); Alex Bennett (keys); Phil Mulford (bs); Jack Pollitt (dms).
(Review/photo by Ken Drew).
Chris Standring attracted a large audience to the Globe – 30+ in pre-sales - with many coming from as far afield as Durham, Teesside and Edinburgh eager to see this popular LA guitarist.  The trio supporting him are from SE England and what a Band they form! As solidly tight and polished as Clark Tracey’s quintet which performed here in November.   
A totally different style to mainstream, straight ahead  or improv jazz, the music was totally funk and groove based (not sure where the Smooth Jazz label comes from) but the audience thoroughly enjoyed the driving funk rhythms.  It’s not a style of jazz I’ve followed – but many obviously do, as seen by the keen attendance of his UK fans here in the North.  Chris lets the groove (along with his loyal archtop Benedetto) do all the talking (“You can never get enough of a good groove.”  says Chris) and together with the whole band produces a mix of soul-funk-jazz overlaid with a rich soundscape of guitar and piano/organ electronica vibe.
Chris’s guitar playing was spot on throughout, playing several techniques with ease across different styles and rhythms, the drumming (Jack Pollitt) was constantly driving yet varied with maestro solos by Alex Bennett on keys and Phil Mulford on bass.  The standout exception to the funk was the Jobim number  How Insensitive in the second set which provided a more gentle pace and a wonderful contrast bringing the guitar (and Chris’s musicianship) centre stage.  
On their way out, the audience had obviously enjoyed the night and those that I spoke to thought making the trip to the Globe Jazz Bar was well worthwhile.  Another successful night, drawing in many new faces to the still-developing venue.
Ken D.

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