Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, February 13, 2013

Composer/Producer/Conductor Ryan Truesdell's Groundbreaking Project CENTENNIAL: Newly Discovered Works of Gil Evans Wins Best Instrumental Arrangement GRAMMY Award for the Late Gil Evans

Renowned composer/producer/conductor RYAN TRUESDELL's highly acclaimed CD CENTENNIAL: Newly Discovered Works of Gil Evans (ArtistShare) has won a posthumous Grammy Award for Gil Evans in the category of Best Instrumental Arrangement (How About You) in the 55th annual GRAMMY Awards. This arrangement of How About You was written in 1947 for the Claude Thornhill Orchestra and is Gil Evans' first GRAMMY win for arranging.  Evans had 11 prior nominations and two wins.
     Truesdell, who accepted the award on behalf of Evans, says: "I'm so thrilled for Gil's music to receive this great honour  Thanks to everyone who made it possible to bring this never-before recorded music into the spotlight: the Evans family - Anita, Miles and Noah - who gave me access to his archives, the amazing musicians, engineer James Farber, and of course the many ArtistShare participants who helped to make this project a reality.  Mainly, I'd like to thank Gil for creating this unique sound and voice that he had in his music."
CENTENNIAL, which brings to light new music from jazz luminary Gil Evans, has been widely heralded as one of the most important CDs of the year. It earned one of France's highest honors: LES COUPS DE COEUR from the Académie Charles Cros, and accolades as "one of the most significant releases of 2012." - JazzTimes. "An extraordinary album." - Nate Chinen, New York Times. "Truesdell deserves our gratitude for throwing light on scores unearthed from the archivesŠ One of the jazz releases of the year." - Clive Davis, Sunday Times of London. "Editor's Pick: Recording of the Month: 5-stars." - Tom Conrad, Stereophile. "As majestic and richly textured as you would expect." - Patrick Jarenwattananon, NPR A Blog Supreme.  "Record of the Month" - Jazz Magazine (France).  "10 out of 10 stars. If you don't like this, you don't like music." - Liam McManus, PopMatters.
Released by ArtistShare® on May 13, 2012 (www.GilEvansProject.com) and recorded by the Grammy award-winning engineer James Farber, CENTENNIAL features thirty-five top musicians, including Lewis Nash, Donny McCaslin, Steve Wilson, Frank Kimbrough, Greg Gisbert, and Marshall Gilkes performing previously unheard works written by Evans throughout his decades-long career.    
Prior to CENTENNIAL, Truesdell was best known for co-producing Maria Schneider's Sky Blue in 2007 and her 2004 Grammy award-winning Concert in the Garden.  He is the first person outside of the Evans family to be granted full access to the musical archives. "I saw thousands of pages of manuscript, and each new box offered up a score or sketch of one of Gil's pieces that I've admired for years." 
Truesdell, one of the foremost Evans scholars, began to grasp the significance of the material he was uncovering when he realized many of the manuscripts were unfamiliar to him.  Schneider, former assistant and protégé of Evans', says of Truesdell's discovery, "It's like finding the impossible: imagine you buy an old house and discover a box of lost Beethoven manuscripts in the attic-scores that have never been heard before. That's exactly what's happened here. It's been something that I've wished for, for decades now-something that so many of us have wanted and it's here, it's incredible; it's an amazing opportunity to hear this music uncovered."
CENTENNIAL is Available on iTunes (
iTunes.com/GilEvans100) and at www.GilEvansProject.com
www.RyanTruesdell.com

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