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Bebop Spoken There

Davina Lozier: "So many people never settle into who they really are. They just do what they want to do because they want to be Oscar Peterson or Muddy Waters or Britney Spears. But I am what I am: a chubby, 40-year-old woman who's still doing it." - (DownBeat, December 2019).

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Today Tuesday November 12

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 1:15pm. Stanley Nelson's 2019 documentary film.

Evening

Jazz

Not Now Charlie - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues

Sugaray Rayford - Cluny, Lime St., Newcastle NE1 2PQ. Tel 0191 230 4474. 8:00pm. £15.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 18, 2011

Tim Garland, Jim Mullen, Andy Champion and Adrian Tilbrook @ The Bridge.

Tim Garland (ten/sop); Jim Mullen (gtr); Andy Champion (bs); Adrian Tilbrook (dms).
GIG OF THE YEAR? For me all bets are off - this was it! Never have so many enthusiasts been crammed into the small confines of the Bridge Hotel for a Splinter gig and justifiably so. Such was the ambiance created between band and listener that I didn't allow myself to ponder the question as to where were you all the rest of the year?
From the opening Invitation to the closing Caravan we were treat to virtuoso playing by all four participants. None of the "and now here is another composition of mine..." syndrome but instead straight down the middle tried and tested tunes that never stopped swinging.
In a Sentimental Mood had been played earlier by Pete Gilligan at the Jazz Café but this was something else again and this is no reflection on Pete.
Jim Mullen is such a melodic player I could wallow in his lyricism for eternity yet when the chips are down he can put the boot in as hard as anyone.
Tim Garland, bobbing and weaving like a fighter preparing to land the killer punch, took the tenor on a wild journey that had many deviant variations yet never lost its way.
Andy and Adrian - homegrown talent - were far from outshone and contributed on an equal basis with the visitors to make this such a memorable evening. Imagine if they'd had a rehearsal!
To top this, Stan Tracey at The Sage tomorrow (Monday Dec. 19) is going to have to play like he's never played before and on Thursday, also at The Sage, Christine Tobin too is going to have it all to do. But who knows what yet may happen before the year is over.
Photos.
Lance.

4 comments :

stevebfc said...

Great atmosphere great players but lack of original material (for obvious reasons) means it could only be gig of 1961 not 2011!

Lance said...

An interesting point Steve. However, as the tune/theme is but something for the soloist to hang his hat on and 12/32 or whatever bars later only the harmonic structure remains is it that important whether it be a standard or "one wot I wrote yesterday"?
Lance.
PS: As a matter of interest Steve, what was your "Gig of the Year"?

Anonymous said...

Methinks stevebfc is slightly missing the improvisational point of jazz.
But I have to admit I did think for ages that Julie Andrews had stolen that tune from Coltrane.
But anyway, it couldn't have been 1961, no self respecting jazzman of the time would have been seen dead in a t-shirt like TG's.
PS - my gig of the year in 1961 was the Billy Cotton Band Show

stevebfc said...

Thanks Anonymous for explaining the improvisational point of Jazz for all these years I thought the musicans were just playing the notes in slightly the wrong order.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance