Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Saturday, June 20, 2009

A Tale of the Unexpected. Nick Gill's Byzantines @ Saville Exchange, North Shields.

Nick Gill (pno/vcl), Jake Gill (gtr/6 str.bjo/vcl), Debbie Arthurs (dms/vcl), James Evans (clt/alt/vcl), Pete Morgan (bs). I went to this gig, last night, not knowing what to expect or, to be more accurate, expecting a conventional classic jazz type outfit. All the musicians are very established players on the classic jazz circuit with the possible exception of young Jake Gill – a talented player and a name to watch out for. Imagine my surprise when I encountered an evening of mostly original music – songs at that, on varying topics loosely in a 20s era, Temperance Seven, Bonzo Dog, early dance band , varsity ball sort of vein. There were a few items from the familiar repertoire – "Dr Jazz" (a tour de force from Evans on alto plus his unmiked vocal), "High Society" (Evans, now on clarinet, playing the obligatory solo), "Dinah" (with period vocal and Djangoesque solo from Gill) but, apart from some novelty piano rag solo pieces from Nick in the break, all of the rest was original material. Mostly composed by Nick Gill but with a couple of songs written by his associates. Songs ranged from nostalgic, haunting –"The Station", to varsity ball "Do the Yak", novelty "Mr Exstein’s X Ray Ears" to macabre "Angel (of death)". Material wide ranging in subject matter and feel, albeit within the general style as outlined above. Nick Gill snr is a fine ragtime/stride pianist, nephew Jake plays good 6 string banjo and Django inspired guitar – and both also sing nicely in that early dance band, light vocal style. Debbie Arthurs is now a hugely popular figure on the trad circuit – neat, swinging drums plus delightful, youthful vocals. Check out her own band ‘Sweet Rhythm’ or her work with players such as Spats Langham. James Evans is a virtuoso clarinet/alto player with a fast growing reputation. He has fluent, immaculate technique – a top drawer player in his chosen idiom. Surprise band member was Pete Morgan on bass. A fine player with a ‘modern’ style that has seen him play with such as Don Rendell, Tony Lee and many visiting American soloists. Great walking bass plus nice Slam Stewart type solos too. All in all, an enjoyable and very intriguing evening. Hats off to Nick Gill and the gang for resolutely doing something so ‘out of the ordinary’.
Roly. (Photo of James Evans taken earlier in the week at Abersoch by John Taylor - Lance)

1 comment :

MikeD said...

Thanks Roly, glad you enjoyed the concert. A lot is talked about the need to encourage young(er) musicians, so a shame that more of the Saville Exchange regulars didn't turn out for this one. Ah well, a promoter's life is never an easy one! Lots more adventurous traditional jazz in just three weeks at the Whitley Bay International Jazz Festival (includind Debbie's Sweet Rhythm) with 30 bands and 152 musicians from 10 different countries, so let's hope that one is a sell-out!

MikeD

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