Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, November 27, 2008

John Etheridge Trio North - Corner House, Heaton.

Music has few boundaries for John Etheridge who seems to be able to handle whatever pigeon hole he glides into. Tonight, in the company of Dave Tyas (dms) and Ben Crosland (fretless), he alternated wild thrashes that would have been considered loud in Yankee Stadium with tender balladry that could only have been marred by the dropping of a pin. In the latter mode, "Stormy Weather" was a thing of delicate beauty whilst his take on Mingus' "Goodbye Pork Pie Hat", although totally original was, nevertheless, respectful towards the composer's intent.
However, delightful as these moments were it was the mega volume blasts that got the adrenalin going as well as the front table couple who, fingers in ears, moved to the Bleachers. Even "Love For Sale" wasn't immune and drummer Dave Tyas, who was superb throughout, excelled in his extended solo. I wasn't so sure about Ben Crosland. He had his moments but there were times when his intonation seemed suspect. Then again, the Corner House has always been accoustically challenged so perhaps it wasn't Ben's fault.
I first heard John Etheridge back in the 1970s with Stephane Grappelli at Sunderland Empire, I heard him in the 1980s at a jam with Ian Carr, Tony Coe and Nigel Stanger at the Rising Sun Pub, Wallsend (photo) and again, more recently, at The Sage warming up Dee Dee Bridgewater. He's never failed to impress and his skills have been honed and perfected over the years. His raconteuring isn't bad either!

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