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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 29, 2008

McCoy Tyner Trio Plus Joe Lovano At The Sage - A Gig Of Two Halves

This was never going to be the kickass gig that last week's Jason Moran/Monk concert was and nobody thought that it would be. The trio, McCoy Tyner (pno), Gerald Cannon (bs) and Eric Gravatt (dms), augmented by Joe Lovano on tenor, performed ably but by comparision, the opener, Monk's "Ruby My Dear," was but a pale maiden.
Tyner's playing suffered, through no fault of his own. from a slight muddiness of sound and Lovano appeared to be going through the motions; albeit very good motions.
The general consensus in the bar at the end of the first set was 'good show but no cigar'.
The second set was a whole different ballgame. The pianist kicked off with an unaccompanied version of "I Should Care" that was worlds away from what had gone before. Dazzling runs à la Tatum interspersed with some of tomorrow's chords made this an item of contemporary beauty. At last, we knew the game was afoot; if the phrase hadn't been used so many times before I'd have said that this was 'The Real McCoy'.
Lovano, wearing a fedora hat, Gravatt and Cannon joined the fray and a storming set followed with Joe more than once nodding in the direction of his Coltranic ancestory. Eric Gravatt's drum solos were particularly dextrous whilst Gerald Cannon provided a solid root and his solos were characterised by a roundness of tone tempered with touches of rare humour. The evening concluded with "In A Mellotone" and a deserved standing ovation.
I guess they got the cigar after all.

1 comment :

Liz said...

Haven't heard "In a Mellotone" for ages, so just listened to the Duke on an album called "Cotton tail" (I think!) The guitar so reminds me of my late dear dad, he played just like that..all the good bits of me come from him, bless him. Even after 17 years I still miss him, but of course he left such a legacy in music. Almost the last conversation we had was about "Satin doll"

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance