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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Monday July 15

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Mnozil Brass: Cirque - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £23.00. (£19.00. concs.). A Durham Brass Festival event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 23, 2008

Jazz At The Fell

Wednesday night's Monk gig at The Sage was going to be a hard, if not impossible act to follow so perhaps it was as well that I opted for total contrast in the form of Mike Piggott and Keith Stephen's Hot Trio. This was gentle jazz à la Django et Stephane. Un vignette dans la tradition du hot club et la dansant.
Mike Piggott fiddled fluently, particularly after he'd added resin to his bow, whilst Keith Stephens on lead and Roly Veitch on rhythm provided the chunky Maccaferrian sound so essential to the idiom. I didn't catch the name of the bass player but he played all the right notes in all the right places and his solos weren't out of character. Roly Veitch sang in his pleasant, laid back, laconic style that did nothing to disturb the sense of period.
The period, 1920s/30s, was also present in Caroline Irwin's delightful vocals; she brought to mind an updated Ruth Etting. Caroline also Autumn Leaved in French. Thankfully, she sounded nothing like Piaf.

2 comments :

Roly Veitch said...

Hello Lance
Thanks for the nice words about Friday. I wasn't sure how you would like the Django stuff. I'm not really a Django type player but got roped in when Keith was asked to organise a Hot Club night as a one off, at The Fell, 3/4 years back. We all enjoyed it and it lead to gigs so here I am still doing it.
The bass player is Bruce Rollo. He is a slap bass specialist (ex Rockabilly) which seems ideal for that style. Bruce also plays with The Wildcats of Kilkenny - a fast & furious Irish Fiddle music type band.
Extrovert bahaviour all round I believe. He is quite a comedian but more important has really good time. I've found I really enjoy playing rhythm with Bruce on bass. After all my years playing I've come to conclusion the bass player is the most important guy in the band! A good bass can make ordinary players play their best. A poor bass can make good players seem ordinary.
You've probably known that for years!
Bruce & Keith have worked together for years on the trad scene - even round Europe a while back with a singer Marilyn Middleton Pollock. Keith is a fine banjo player who also builds Macaferri type guitars.

Lance said...

I recall selling Keith a banjo when I worked in Newcastle's numero uno music shop. I don't know if it was his first banjo; I think it may have been a tenor banjo, it was a long time ago.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance