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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17680 (and counting) posts since we started blogging 17 years ago. 23 of them this year alone and, so far, 23 this month (Jan. 9).

From This Moment On ...

January 2025

Tue 14: Zoë Gilby Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session. TBC.

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 23, 2008

Jazz At The Fell

Wednesday night's Monk gig at The Sage was going to be a hard, if not impossible act to follow so perhaps it was as well that I opted for total contrast in the form of Mike Piggott and Keith Stephen's Hot Trio. This was gentle jazz à la Django et Stephane. Un vignette dans la tradition du hot club et la dansant.
Mike Piggott fiddled fluently, particularly after he'd added resin to his bow, whilst Keith Stephens on lead and Roly Veitch on rhythm provided the chunky Maccaferrian sound so essential to the idiom. I didn't catch the name of the bass player but he played all the right notes in all the right places and his solos weren't out of character. Roly Veitch sang in his pleasant, laid back, laconic style that did nothing to disturb the sense of period.
The period, 1920s/30s, was also present in Caroline Irwin's delightful vocals; she brought to mind an updated Ruth Etting. Caroline also Autumn Leaved in French. Thankfully, she sounded nothing like Piaf.

2 comments :

Anonymous said...

Hello Lance
Thanks for the nice words about Friday. I wasn't sure how you would like the Django stuff. I'm not really a Django type player but got roped in when Keith was asked to organise a Hot Club night as a one off, at The Fell, 3/4 years back. We all enjoyed it and it lead to gigs so here I am still doing it.
The bass player is Bruce Rollo. He is a slap bass specialist (ex Rockabilly) which seems ideal for that style. Bruce also plays with The Wildcats of Kilkenny - a fast & furious Irish Fiddle music type band.
Extrovert bahaviour all round I believe. He is quite a comedian but more important has really good time. I've found I really enjoy playing rhythm with Bruce on bass. After all my years playing I've come to conclusion the bass player is the most important guy in the band! A good bass can make ordinary players play their best. A poor bass can make good players seem ordinary.
You've probably known that for years!
Bruce & Keith have worked together for years on the trad scene - even round Europe a while back with a singer Marilyn Middleton Pollock. Keith is a fine banjo player who also builds Macaferri type guitars.

Lance said...

I recall selling Keith a banjo when I worked in Newcastle's numero uno music shop. I don't know if it was his first banjo; I think it may have been a tenor banjo, it was a long time ago.

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