Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Friday, May 23, 2008

Jazz At The Fell

Wednesday night's Monk gig at The Sage was going to be a hard, if not impossible act to follow so perhaps it was as well that I opted for total contrast in the form of Mike Piggott and Keith Stephen's Hot Trio. This was gentle jazz à la Django et Stephane. Un vignette dans la tradition du hot club et la dansant.
Mike Piggott fiddled fluently, particularly after he'd added resin to his bow, whilst Keith Stephens on lead and Roly Veitch on rhythm provided the chunky Maccaferrian sound so essential to the idiom. I didn't catch the name of the bass player but he played all the right notes in all the right places and his solos weren't out of character. Roly Veitch sang in his pleasant, laid back, laconic style that did nothing to disturb the sense of period.
The period, 1920s/30s, was also present in Caroline Irwin's delightful vocals; she brought to mind an updated Ruth Etting. Caroline also Autumn Leaved in French. Thankfully, she sounded nothing like Piaf.

2 comments :

Anonymous said...

Hello Lance
Thanks for the nice words about Friday. I wasn't sure how you would like the Django stuff. I'm not really a Django type player but got roped in when Keith was asked to organise a Hot Club night as a one off, at The Fell, 3/4 years back. We all enjoyed it and it lead to gigs so here I am still doing it.
The bass player is Bruce Rollo. He is a slap bass specialist (ex Rockabilly) which seems ideal for that style. Bruce also plays with The Wildcats of Kilkenny - a fast & furious Irish Fiddle music type band.
Extrovert bahaviour all round I believe. He is quite a comedian but more important has really good time. I've found I really enjoy playing rhythm with Bruce on bass. After all my years playing I've come to conclusion the bass player is the most important guy in the band! A good bass can make ordinary players play their best. A poor bass can make good players seem ordinary.
You've probably known that for years!
Bruce & Keith have worked together for years on the trad scene - even round Europe a while back with a singer Marilyn Middleton Pollock. Keith is a fine banjo player who also builds Macaferri type guitars.

Lance said...

I recall selling Keith a banjo when I worked in Newcastle's numero uno music shop. I don't know if it was his first banjo; I think it may have been a tenor banjo, it was a long time ago.

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