Black Swan jam session - Nov. 19

Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums) + John Rowland (tenor sax); Luis Verde (alto sax); Shivan Ruddick (trumpet); Kate O'Niell (vocals); Edgar Bell (cornet); Lara Hopper (trumpet); Robert Johnson (tenor sax); Carl Peacock (piano); Jamie Watkins (double bass); Liam Oliver (guitar); Shayo (vocals); Haruki Shimizu (drums); Paul Ruddick (alto sax); Ian Drever (vocals); Moyo (guitar); Esther Coombes (alto sax, clarinet); Owen Jones (double bass); Niffi Osiyemi (vocals); Jan Spencelayh (vocals); Bailey Rudd (drums); Felix Parkin-Christie (drums)

Snow on a cold, dark, mid-November evening. Numbers would be down, wouldn't they? Ah, that's to underestimate the pulling power of the Black Swan jam session. Paul Grainger invited pianist Michael Young and drummer Mark Robertson to join him in forming the house trio. At the half past seven down beat, the room was, as usual, bustling with students, former students and a rag-tag of jazz lovers.

The stuff that dreams are made of ...The Maltese Jazzmen

The Maltese Falcon, the Buddy Bolden cylinder - collectable items the value of which are reputed to be beyond the dreams of avarice. Today, in a South Shields charity shop I came across a CD that whilst its value may not  be quite beyond the dreams of avarice it was certainly worth more than the 50p I paid for it - or so it seemed.

The Deuchar/Gascoigne Legacy. Celebrating 50 Years of the Vieux Carré Jazzmen looked to be 'the stuff that dreams are made of'.

John Broddle funeral details announced.

The funeral of John Broddle will take place at Tynemouth Crematorium on Tuesday 3rd December at 12:45pm. 

Afterwards all are welcome to remember John at Cullercoats Crescent Club with music courtesy of Rendezvous Jazz. 

In the photo, taken at the Crescent Club in 2016, John is on the left of the picture sharing a vocal with Neville Sarony who was visiting from Hong Kong.

Album review: Lynne Arriale - Being Human (Challenge Records)

Lynne Arriale (piano, Yamaha Clavinova); Alon Near (bass); Lukasz Zyta (drums)

This one's been lying on the back-burner since March. Every time I've been about to crank up the old Victrola something that looks better jumps the queue only for me to find out that, like most queue jumpers, it's all front and no substance. You definitely can't judge an album by its cover. Being Human is an obvious exception. Lynne Arriale not only looks human but her music conjures up the 'best expressions of what it means to be human'.

John Stowell & Tom Remon @ Prohibition Bar, Newcastle - Nov. 14

John Stowell (guitar); Tom Remon (guitar)

Following his appearance earlier this year working alongside Sid Jacobs, Tom Remon returned to Prohibition Bar with another top notch American guitarist as his sparring partner. From Portland, Oregon, John Stowell quietly went about his business, setting up his gear on the Pink Lane venue's small corner stage, his custom made, headless Soulezza guitar taking pride of place. Several of the region's six-stringers were in the house, they weren't going to miss this one! 

Sunday night @ the Globe: Liane Carroll - Nov. 17

© Sheila Herrick

Liane Carroll (piano, vocals)

The night was cold, windscreens were showing signs of frost. Winter had arrived a couple of weeks ahead of schedule. Even England's 5-0 win over the Rep of Ireland didn't warm the cockles. It was a night to be sitting by the radiator with a bowl of gruel not to be venturing forth in woolly hat and last year's Christmas jumper. However there was method behind the madness of going to the Globe by bus, train and Mr Shank's pony.

Liane Carroll!

Julian Lage @ the Glasshouse, Gateshead - Nov 17

Julian Lage (acoustic guitar)

The intimate auditorium of Sage 2 proved to be the ideal setting for an evening of surprising solo guitar playing from Lage. The obvious first – an acoustic folk instrument – not a gypsy jazz guitar à la Django Reinhardt but instead one favoured by flat-pickers. And flat-pick he did! Each note strong and propulsive but with a dynamic range and sensitivity that totally captured the audience.

His language on the guitar has developed beyond his early bebop days with the Gary Burton Quartet and perhaps now has at its core a folksy, bluesy, essence. This is liberally peppered with free jazz exploration, often resolving to the blues but frequently forging its own path. Classical harmony, Jimmy Wyble-esque guitar counterpoint, astonishing single-line passages and fretboard-defying intervallic leaps make up the rest.

Olly Styles @ King's Hall, Newcastle University - Nov. 14

Olly Styles (tenor sax); Jamie Watkins (guitar)

Term time, Thursdays in King's Hall, Newcastle University music students perform short sets to an audience of fellow students and interested members of the public. Anything from classical to folk (Newcastle University's highly-regarded folk degree course has produced many fine musicians) to rock and jazz, the weekly four o'clock session is an opportunity to check out what's happening. 

Graham Hardy's Eclectic Quartet @ Blaydon Jazz Club - Nov. 11

© Roly Veitch

Graham Hardy (trumpet, flugelhorn); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums) 

In its fortieth year, Blaydon Jazz Club is on a roll. A run of superb concerts, increasing attendances, jazz on Bridge Street, Blaydon-on-Tyne is alive and well. The Black Bull welcomed Graham Hardy's new outfit, 'Eclectic' by name, 'Eclectic' by virtue of the choice of material, the one down side to the occasion...the coughing and spluttering musicians! It's that time of year when the lurgy does its best/worst!

The Gil Scott-Heron Songbook @ Gosforth Civic Theatre - Nov. 7

Aki Remally (guitar, vocals); Fraser Urquhart (keyboards); Tom Wilkinson (bass); Max Popp (drums)

Circa 1990 Gil Scott-Heron played a gig at Riverside, that's the original venue on Melbourne Street. Some of us were there. Some thirty five years later, the American poet/songwriter/activist returned to Newcastle, in spirit only, in the form of Aki Remally. Gosforth Civic Theatre attracted a healthy crowd - how many of them were there (at Riverside) back in the day? Answer: probably not many. Those of us who were there took our seats in nervous anticipation...