Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18482 (and counting) posts since we started blogging 18 years ago. 346 of them this year alone and, so far this month (April 30 ) 80

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sun 03: Chilcott Jazz Mass @ St George’s Church, Jesmond, Newcastle. 9:30am. Free. Sung communion with Parish Choir (featuring Bob Chilcott’s music). A Jesmond Community Festival event.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 03: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Mark Toomey (alto sax).
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Tom Waits for No Man @ Oxygenic, Whitley Bay. 3:00pm (2:30pm doors). Neckties and Boxing Gloves album launch. £14.00 (gig & a CD); £8.00 (gig only). SOLD OUT!
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 03: John Pope & John Garner @ The Globe, Newcastle. 8:00pm. £12.00., £10.00.

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 4:00-6:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Robert Finley @ The Cluny, Newcastle. 7:30pm (doors). £17.50. Excellent US falsetto soul/blues voice.
Thu 07: ALT @ The Black Swan, Newcastle. 7:30pm. Free. Alan Law, Paul Grainger, Rob Walker. Thu 07: Liam & Shayo @ The Globe , Newcastle. 8:00pm. £5.00. Liam Oliver (guitar), Shayo Oshodi (vocals).
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 08: Alan Law Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Law, Mick Shoulder, John Bradford.
Fri 08: Giles Strong & Richard Herdman @ Jesmond Library, Newcastle. 1:00pm. £5.00. Guitar duo.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Milne Glendinning Band @ Cobalt Studios, Newcastle. 6:00pm . Free. A Late Shows event.
Fri 08: Nigel Kennedy @ The Hippodrome, Darlington. 7:30pm. Line-up inc. Alec Dankworth.

Sat 09: SH#RP Collective w. Lindsay Hannon @ Church of Holy Name, Jesmond, Newcastle. 7:30pm (7:00pm doors). £15.00 (inc. a welcome drink). Advance booking essential. Bring own snacks, drinks to be purchased at ‘donations’ bar. All proceeds to charity. A Jesmond Community Festival event.
Sat 09: East Coast Swing Band @ Jubilee Hall, Rothbury. 7:30pm. £10.00.

Friday, August 01, 2025

Prohibition - the end of an era (July 31)

Alan Law (piano); Paul Grainger (double bass); Mark Robertson (drums) + all comers (almost certainly not in order of appearance): Pete Tanton (trumpet, flugelhorn, vocals); Neil Hopper (double bass, bass guitar); Jude Murphy (double bass, vocals); Fiona Finden (curved soprano sax); Stu Finden (tenor sax); Patrick Cromb (vocals); Debra Milne (vocals); David Gray (trombone, flugelhorn); Esther Coombes (alto sax, clarinet); Carmen Silk (vocals); Jenni Winter (piano); Julija Jacenaite (vocals); Shayo Oshodi (vocals); Becky Tuck (vocals); Kit Haigh (guitar); Steve Glendinning (guitar) + numerous others (names escaped, names unknown) 

It was December 5, 1933. Prohibition was at an end. Wait a minute! It was July 31, 2025. Prohibition would soon be at an end. Mitch Mitchell's joint down on Pink Lane was soon to close its doors one last time. Mitch kindly invited BSH to attend an invitation-only farewell party, an invitation graciously accepted.

First to arrive at six o'clock and one of the last to leave sometime after midnight, BSH bagged a ringside table. It wasn't a night for note-taking, it was a night to enjoy and, hopefully, remember. As Prohibition Bar was about to shut up shop for good, it was only right and proper to consume one or three (hic!) bottles of the house beer - Prohibition Ale 33 Pale Ale.*

The house trio for the evening - Alan Law, Paul Grainger and Mark Robertson - with trumpet ace Pete Tanton fronting the opening numbers, Pete, singing There'll never be another you, got things off to a flying start. The Harry Warren-Mack Gordon number would be reprised later in the evening...

From here on in it was non-stop jazz, jazz, jazz and David Bowie and Liza Minnelli and...Yes, Ziggy Stardust performed (brilliantly) by Jude Murphy (as David Bowie), Kit Haigh (guitar), Neil Hopper (bass guitar) and mine host, Mitch Mitchell (drums). Quite a moment! Between times, faces old and new sat-in: the Findens (Stu and Fiona), Debra Milne (Caravan), the omnipresent Esther Coombes (reeds), long-time, no-see vocalist Patrick Cromb (a busy medic, is Patrick, he wasn't going to miss this farewell party!) and a scratch vocal troupe of local divas - Jude, Julija, Becky and Shayo. Great fun!

This being Prohibition Cabaret Bar, to give the joint its full name, the shutters couldn't come down one last time without an appearance from operatic artiste Carmen Silk (accompanied by pianist Jenni Winter). Life is a Cabaret, old chum, Come to the Cabaret sang Ms Silk. It stayed sung.

It was gone midnight, someone (exactly who is forgotten, hic!) assembled the troops for one last blow. When the Saints...go marching in, all horns blowing, Pete Tanton leading the parade out onto Pink Lane, all horns blowing and dancing. What would the slumbering neighbourhood make of the racket? We were beyond caring. The parade wound its way back indoors. And that was it...not quite! Speech! Speech! Proprietor M. Mitchell expressed his thanks to the countless numbers of musicians who had graced Prohibition Bar's stage over the last decade or so and to the establishment's many punters, some of whom he now regards as friends.                          
What is to become of 25-27 Pink Lane? We'll find out in  due course. Thanks to Mitch. Life is a cabaret, old chum. 

A final, short-run, individually numbered (1-100) batch of the house beer Prohibition Ale 33 (4%, Allendale Brewery) was being consumed as if Prohibition 1933 was about to come into effect. Several weeks ago your correspondent obtained one of the bottles - number 1/100. A collector's item. Russell             

1 comment :

NeilC said...

A joyous end to what is a very sad day , the loss of these smaller independent venues is really upsetting because they offer the chance for lesser known yet consummate musicians to air their passion and adroitness for their music of choice.

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