Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18482 (and counting) posts since we started blogging 18 years ago. 346 of them this year alone and, so far this month (April 30 ) 80

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sun 03: Chilcott Jazz Mass @ St George’s Church, Jesmond, Newcastle. 9:30am. Free. Sung communion with Parish Choir (featuring Bob Chilcott’s music). A Jesmond Community Festival event.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 03: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Mark Toomey (alto sax).
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Tom Waits for No Man @ Oxygenic, Whitley Bay. 3:00pm (2:30pm doors). Neckties and Boxing Gloves album launch. £14.00 (gig & a CD); £8.00 (gig only). SOLD OUT!
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). £3.76.
Sun 03: John Pope & John Garner @ The Globe, Newcastle. 8:00pm. £12.00., £10.00.

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 4:00-6:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Robert Finley @ The Cluny, Newcastle. 7:30pm (doors). £17.50. Excellent US falsetto soul/blues voice.
Thu 07: ALT @ The Black Swan, Newcastle. 7:30pm. Free. Alan Law, Paul Grainger, Rob Walker. Thu 07: Liam & Shayo @ The Globe , Newcastle. 8:00pm. £5.00. Liam Oliver (guitar), Shayo Oshodi (vocals).
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 08: Alan Law Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Law, Mick Shoulder, John Bradford.
Fri 08: Giles Strong & Richard Herdman @ Jesmond Library, Newcastle. 1:00pm. £5.00. Guitar duo.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Milne Glendinning Band @ Cobalt Studios, Newcastle. 6:00pm . Free. A Late Shows event.
Fri 08: Nigel Kennedy @ The Hippodrome, Darlington. 7:30pm. Line-up inc. Alec Dankworth.

Sat 09: SH#RP Collective w. Lindsay Hannon @ Church of Holy Name, Jesmond, Newcastle. 7:30pm (7:00pm doors). £15.00 (inc. a welcome drink). Advance booking essential. Bring own snacks, drinks to be purchased at ‘donations’ bar. All proceeds to charity. A Jesmond Community Festival event.
Sat 09: East Coast Swing Band @ Jubilee Hall, Rothbury. 7:30pm. £10.00.

Friday, June 06, 2025

Album review: Steve Knight - For Years Gone (self-released)

Steve Knight (guitar); Justin Peterson (bass); Linard Stroud (drums)

Yet another name to add to the ever growing list of living guitar greats. Steve Knight has assimilated the past and merged it with the present which augurs well for the future.

Kicking off with his own composition Lure I knew at once that we were on the same side of his Chicago street. A catchy blues theme that, appropriately lured me in.

I've long considered Pure Imagination to be a class above its origins - Willie Wonka and the Chocolate Factory - in the right hands the Bricusse and Newley song is on a par with some of the works of their American counterparts.

Cracklin' pays tribute to Roy Haynes whose nickname it would seem was Snap Crackle. Here the sound of the exploding cereal was effectively provided by Stroud,

Knight sets a fast tempo on Pat Martino's Colossus. It's a finger-busting exercise for both guitar and bass. Stroud drops a few bombs as if to say"hang about guys we've got another six tracks to go!" 

For Years Gone. Knight's late mother provided the inspiration for the title track. Slow and ponderous, the feeling of loss is conveyed but not in a maudlin way.

Kothbiro, composed by Kenyan singer and instrumentalist Ayub Ogada, the title translates to rain is coming. At times Knight's guitar sounds like a Kalimba, the African thumb piano. Peterson goes arco.

George Harrison's Something is taken in a wholly different direction to what I'm used to veering from 7/4 to 4/4 and back again. An unlikely number for a drum solo but at least it's not a 'cover'! 

Joni Mitchell was responsible for Urge for Going, a song from a 1966 album that the trio reshape to suit.

Charlie Christian recorded Seven Come Eleven with the Goodman Sextet. Knight takes it down a different, funkier route. A route he and every other jazz guitarist couldn't have taken if Christian hadn't shown them the way. 

Duke's In a Sentimental Mood played at speed may seem like sacrilege and, in a sense, it is. However, when a song has been performed as a ballad as many times as this one has an alternative approach is called for else why bother? So, Knight put his foot on the gas and I'm pleased to say it didn't end up as a 'car crash' - quite the opposite in fact.

Well worth checking out via BANDCAMP. Lance

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