Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, January 26, 2023

Album review: Dave Brubeck Quartet - Debut in The Netherlands 1958

Dave Brubeck (piano); Paul Desmond (alto sax); Eugene Wright (bass); Joe Morello (drums).

It's always a delight when undiscovered gems emerge from the vaults. This is doubly so, nay doubly doubly so, when it is the classic Brubeck Quartet in concert.

Recorded at Amsterdam's Concertgetbouw in November 1958 it captures the group at the first major pinnacle of their jazz journey preceding the worldwide acclaim of the best selling album Time Out (Take Five etc) and, maybe I'm out on a limb here, but this remains, for me,  the pinnacle.

All four are at the top of their game and if Brubeck occasionally sounds a little clunky, at the same time, so did Monk! And Brubeck's chord voicings are as good as anyone's.

Desmond was perhaps the most lyrical alto player since the pre-bop days of Hodges and Carter. He didn't have the bite of Bird but he had the same feeling and such fluency.

Wright did the business. Brubeck had had a variety of bassists but, with Wright, he'd found the right (no pun intended) man for job. 

In Joe Morello you had the drummer's drummer (big feature on Watusi Drums). I recall way back when I was playing in a club with a lovely drummer, Alan Ingham. It was a Saturday, he'd got married in the morning then, instead of going to the reception as one does after getting married, he went off to a Joe Morello drum clinic. He later got divorced.

As I said, Morello cast a spell over drummers. Maybe even more so than Buddy Rich. Morello was the drummer with the technique that was only just out of reach whereas with Buddy he was ten miles away and maybe you didn't want to go down that road anyway!

With the exception of Steve Race (and myself), back then the critics in the jazz mags were somewhat condescending towards Brubeck who would soon be laughing at them all the way to the bank.  

This is a welcome addition to the Brubeck discography and one that comes out, in retrospect, as way above his more lauded albums. It reminds me of the night when  the late Jim McDowell and myself  travelled down by train from Newcastle to Leeds, which, in 1958, was akin to flying to Mars and back in a day.

It was worth it as this album proves. Lance.

Order.

Two Part Contention; Someday my Prince Will Come; These Foolish Things; One Moment Worth Years; For All we Know; Watusi Drums; The Wright Groove; The Duke; Take the A Train (incomplete)

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