Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington.. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 06, 2022

Scottish drummer is behind major New Zealand jazz release

(Press release)

Drummer John Rae, a former leading light on the Scottish jazz scene, is the force behind New Zealand’s most keenly awaited new jazz album this autumn.

Questions in Red is the latest recording by saxophonist Oscar Lavën, one of New Zealand’s most widely respected musicians, and Rae is both the drummer on the album and the owner of the record company, Wellington-based Thick Records NZ, behind its release.

“Oscar is an incredibly prolific and versatile musician,” says Rae, who is originally from Edinburgh. “He is as adept on trumpet, bassoon and clarinet as he is on the saxophone and he has played in just about every style of jazz there is, as well as working in chamber music, blues, pop and whatever other genre of music needs a great reeds specialist.”

Rae led bands in Scotland including the award-winning Celtic Feet and the John Rae Collective, as well as playing in the Scottish National Jazz Orchestra and pianist Brian Kellock’s trio, before emigrating to Wellington in 2008. He made his own recording debut at the age of sixteen, with his contemporary, saxophonist Tommy Smith in 1982, and has since appeared on more than seventy albums.

“It’s still a thrill to go into a studio, see the red light go on and know you have to deliver,” he says. “There’s been a buzz about Oscar’s album since before it was recorded because everyone on the scene knows him and he’s at an exciting stage of his career where he’s reached a high level and is ready for international recognition.

Rae and the band were conscious that they had expectations to meet.

“I think we met them,” he says. “I’m really proud to be involved with the album as a participant and from the label point of view.”

New Zealand has a history of producing jazz musicians who have gone on to success across the world. The pianists Mike Nock, Alan Broadbent and Dave McRae all went to the U.S. in the 1960s and worked in New York and elsewhere with musicians including Buddy Rich, Woody Herman, Sheila Jordan and John Handy. More recently, saxophonists Jasmine Lovell-Smith, Lucien Johnson and Jake Baxendale, who have all enjoyed acclaim in Europe with their latest albums, have followed suit.

“It’s something New Zealanders do – the OE, or the overseas experience,” says Rae. “You find musicians who have studied in America, like Jasmine, or spent their twenties in Paris or Berlin, like Lucien and Jake, and have returned home to give the next generation the benefit of what they’ve learned. Oscar has done that to some extent and we’re hoping that Questions in Red, which is released on 22nd October, will really help to establish him with the wider jazz audience.” 

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