Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Wed 17: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Sat 20: Tyne Valley Big Band @ Tynedale Beer Festival, Corbridge. 5:00-6:00pm.
Sat 20: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 20: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 20: New Century Ragtime Orchestra @ Trinity Church, Gosforth, Newcastle. 7:30pm. £20.00. NCRO w. guests Dean Stockdale & Nick Ward.

Sun 21: From Lagos to Longbenton: Unity in the Community @ Sunderland Minster. From 1:30pm. Free. A multi-bill Unity in the Community event, inc. From Lagos to Longbenton.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 21: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio w. Graham Hardy.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 22: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Thursday, September 15, 2022

You never forget the first time...How was it for you?

I've often asked myself the question as to when/how it was that I first heard jazz and became hooked.

Answer is, I don't really know! It was certainly in the early fifties just after I'd left school and started buying records (78s). Back then jazz and popular music - the latter had yet to be reduced to a three letter word or, in some cases, a four letter word - were still, more or less, working the same side of the street. Family Favourites or Housewife's Choice had no inhibitions about playing Fats Waller, Louis Armstrong or even Stan Kenton alongside Guy Mitchell, Johnny Ray or Frankie Laine.

The big bands such as Miller, Shaw, James and the Dorseys also figured high on my radar but, I suppose, it wasn't until I acquired a record of Louis Armstrong's Hot Five playing Cornet Chop Suey that I became, initially, a purist - I'd also discovered Chinese food at the same time but that was probably a coincidence. Spanier, Condon, more Louis and, of course, Lyttelton and Colyer. A mouldy fig was I - until...

...until I went to the City Hall to a concert by, of all people, Joe Loss. It was all going nice and sedately, full of corny vocals and In The Mood played too fast but then! A small group from the band came down front and played Dizzy Gillespie's The Champ. Reg Arnold was on trumpet and he knew his flattened fifths inside out. This was it! Damascus was in sight - maybe just this side of Gateshead.

Looking back at those early voyages of discovery reminds me that jazz is all encompassing and that compartmentalism of any art form is anti progressive. Nevertheless, whenever I hear Louis blowing Cornet Chop Suey or Dizzy playing The Champ I wonder if either of these classics are ever incorporated into the various jazz education courses.

Still that is bye the bye. What I really want is for our readers to tell us how they got into jazz either as a player or a listener. Your comments please - Lance 

3 comments :

Tony eales said...

15 years old Newcastle city hall Ted Heath, I’ve been hooked ever since on Big Bands
Tony Eales

Anonymous said...

It was the 50s and our parents bought us a gramophone. I was still at school and had no money to buy records. My brother was four years older and part of a skiffle group and had just started work so was bringing in his new buys. They were mostly Lonnie Donegan and the Vipers. One day he came home with Kid Ory's Tiger Rag and I was hooked.

Ann Alex said...

I really got into jazz in about 2010 when I joined Lindsay Hannon's Blue Jazz Voices class at the Sage. I've always sung and I decided that I would attempt all the kinds of singing you could do, such as Eastern European folk styles etc. At the Blue Jazz Voices class I felt well at home with jazz, which lead to listening to the Gasbook, Bebop, free Jazz, and my ears are closed to nothing. Mind, I draw the line at circular breathing which I don't think doctors recommend!

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