Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 30, 2021

Album review Barry Altschul’s 3DOM Factor - Long Tall Sunshine

Barry Altschul (drums and cymbals); Jon Irabagon (tenor, soprillo sax, alto clarinet); Joe Fonda (bass).

Well, it’s been a while since I listened to any free jazz so when this one arrived in the post I took my teeth out, sat up straight and prepared to hang on for the ride. And it is a ride, the music is, at times plaintiff and exploratory, at others declamatory and celebratory. The trio is an open, stripped down format that allows every note from all three protagonists to land clearly, especially the drums which cover the spectrum from delicate to explosive.

The opener, Long Tall Sunshine opens with Fonda’s rolling bass for a few bars before Altschul comes out of the traps like a thoroughbred, his work rate making Art Blakey sound like a part-timer. This is ‘free-bop’ a hybrid of free jazz and bebop and works as a teaser/taster for what follows, in that it conditions the palette for the something less rooted in the familiar that follows.

The 3Dom Factor includes a solo from Irabagon tonguing and wrestling with the alto clarinet like he’s trying to bend it round a corner, breathing life into it and sucking the breath back out, making it cry like a baby, all in the space of the closing three minutes.

The shorter Irina is a soulful melancholic lament for the sax over sonorous bass and gently rolling drums, Irabagon responding to his own plaintiff calls.

Be Out S’Cool opens like a fractured waltz with a heavyweight bass solo, Altschul lighter but persistent behind him, before it opens out with Irabagon working the higher register with heavier punctuation from the drummer’s fills and rolls.

The closer, Martin’s Stew, is a furious charge, anchored on the bass, with wailing saxes and overwhelming drumming, Altschul provides so much power, he’s like a jet engine in a VW Beetle. There’s a joyous release at the end of his second drum solo, enough to make you smile. I suspect that this music will make even more sense live.

3dom was formed in 2012, releasing a self-titled album which was followed up by Tales of the Unforeseen in 2015 and Live in Krakow in 2017. Long Tall Sunshine is another live album recorded during a European tour in 2019, though, it seems, nobody wrote down the details of where and when it was recorded, which is, I suppose in keeping with the spirit of the music.

And for those of you who were wondering, the soprillo saxophone is also known as the sopranissimo saxophone. It’s the smallest in the sax family, coming in at about 33cm, including the mouthpiece. You don’t see many of them around.

Long Tall Sunshine is released today (July 30) through most of the usual channels and outlets, though Jeff Bezos is selling it for £28+ when it is available direct from Not Two records HERE for €12. There doesn’t appear to be a group or Barry Altschul personal website but there is a good Facebook page and Wikipedia has a good page showing the extent and breadth of Altschul’s career.

Now, where did I leave my teeth? Dave Sayer

No comments :

Blog Archive