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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Fri 10: Michael Woods @ Lit & Phil, Newcastle. 1:00pm. Free. Country blues guitar & vocals. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Citrus @ The Head of Steam, Newcastle. 7:00pm. £11.25.
Fri 10: Zoë Gilby Quartet @ St Cuthbert’s, Crook. 7:30pm. £10.00.

Sat 11: Jeffrey Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 11: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 11: Milne-Glendinning Band @ Yarm Parish Church. 7:30pm.
Sat 11: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: GoGo Penguin @ Wylam Brewery, Newcastle. 7:00pm (doors). All standing gig.
Sun 12: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Sun 12: Satin Beige @ Prohibition Bar, Newcastle. 8:00pm. £7.50 + bf. Upstairs. R&B cello & vocals
Sun 12: Fergus McCreadie Trio @ The Glasshouse, Gateshead. 8:00pm. £19.80.
Sun 12: Schmid/Wheatley/Prévost + Signe Emmeluth @ The Globe, Newcastle. 8:00pm. JNE.

Mon 13: Emma Fisk & James Birkett @ Yamaha Music School, Blyth. 1:00pm. £8.00.

Tue 14: ???

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, July 30, 2021

Album review Barry Altschul’s 3DOM Factor - Long Tall Sunshine

Barry Altschul (drums and cymbals); Jon Irabagon (tenor, soprillo sax, alto clarinet); Joe Fonda (bass).

Well, it’s been a while since I listened to any free jazz so when this one arrived in the post I took my teeth out, sat up straight and prepared to hang on for the ride. And it is a ride, the music is, at times plaintiff and exploratory, at others declamatory and celebratory. The trio is an open, stripped down format that allows every note from all three protagonists to land clearly, especially the drums which cover the spectrum from delicate to explosive.

The opener, Long Tall Sunshine opens with Fonda’s rolling bass for a few bars before Altschul comes out of the traps like a thoroughbred, his work rate making Art Blakey sound like a part-timer. This is ‘free-bop’ a hybrid of free jazz and bebop and works as a teaser/taster for what follows, in that it conditions the palette for the something less rooted in the familiar that follows.

The 3Dom Factor includes a solo from Irabagon tonguing and wrestling with the alto clarinet like he’s trying to bend it round a corner, breathing life into it and sucking the breath back out, making it cry like a baby, all in the space of the closing three minutes.

The shorter Irina is a soulful melancholic lament for the sax over sonorous bass and gently rolling drums, Irabagon responding to his own plaintiff calls.

Be Out S’Cool opens like a fractured waltz with a heavyweight bass solo, Altschul lighter but persistent behind him, before it opens out with Irabagon working the higher register with heavier punctuation from the drummer’s fills and rolls.

The closer, Martin’s Stew, is a furious charge, anchored on the bass, with wailing saxes and overwhelming drumming, Altschul provides so much power, he’s like a jet engine in a VW Beetle. There’s a joyous release at the end of his second drum solo, enough to make you smile. I suspect that this music will make even more sense live.

3dom was formed in 2012, releasing a self-titled album which was followed up by Tales of the Unforeseen in 2015 and Live in Krakow in 2017. Long Tall Sunshine is another live album recorded during a European tour in 2019, though, it seems, nobody wrote down the details of where and when it was recorded, which is, I suppose in keeping with the spirit of the music.

And for those of you who were wondering, the soprillo saxophone is also known as the sopranissimo saxophone. It’s the smallest in the sax family, coming in at about 33cm, including the mouthpiece. You don’t see many of them around.

Long Tall Sunshine is released today (July 30) through most of the usual channels and outlets, though Jeff Bezos is selling it for £28+ when it is available direct from Not Two records HERE for €12. There doesn’t appear to be a group or Barry Altschul personal website but there is a good Facebook page and Wikipedia has a good page showing the extent and breadth of Altschul’s career.

Now, where did I leave my teeth? Dave Sayer

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