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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 7:30pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Fri 10: Michael Woods @ Lit & Phil, Newcastle. 1:00pm. Free. Country blues guitar & vocals. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Citrus @ The Head of Steam, Newcastle. 7:00pm. £11.25.
Fri 10: Zoë Gilby Quartet @ St Cuthbert’s, Crook. 7:30pm. £10.00.

Sat 11: Jeffrey Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 11: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 11: Milne-Glendinning Band @ Yarm Parish Church. 7:30pm.
Sat 11: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: GoGo Penguin @ Wylam Brewery, Newcastle. 7:00pm (doors). All standing gig.
Sun 12: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Sun 12: Satin Beige @ Prohibition Bar, Newcastle. 8:00pm. £7.50 + bf. Upstairs. R&B cello & vocals
Sun 12: Fergus McCreadie Trio @ The Glasshouse, Gateshead. 8:00pm. £19.80.
Sun 12: Schmid/Wheatley/Prévost + Signe Emmeluth @ The Globe, Newcastle. 8:00pm. JNE.

Mon 13: Emma Fisk & James Birkett @ Yamaha Music School, Blyth. 1:00pm. £8.00.

Tue 14: ???

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, August 22, 2019

CD Review: Tini Thomsen’s MaxSax – Shift


Tini Thomsen (baritone saxophone); Nigel Hitchcock (alto saxophone); Tom Trapp (guitar); Mark Haanstra (bass); Joost Kroon (drums) with guest Miles Bould (percussion).
(Review by Hugh C)

Tini Thomsen originally hails from Hamburg but more recently has been based in Amsterdam.  Shift is the third album released by MaxSax.  King of Diamonds sets the tone and hits the listener straight away with high energy performance over a driving rock-style beat from Kroon’s powerhouse drumming.  Shift features more of Hitchcock’s alto, but maintains the rhythmic drive of the opening track.  The Gospel Tune has a slower, more laid back (well, gospel) feel with interesting interplay between both the saxes and Trapp’s guitar.  Little Lily’s Shoe brings us back to driving four time.

Happy Segment Day is in a funkier groove, with subtle melodic effects from both alto and baritone horns.  Planet Funk (at least I assume this is the title of the 6th track despite what appears to be a typo on the CD cover where a “c” replaces the “n” of funk!) is the shortest track on the album at 1:38, but is probably the heaviest so far (in rock guitar terms that is).  Big Boys starts in a similar vein. It’s probably no surprise that these two tracks are from the pen of Tom Trapp, who also composed the first track.  The remaining tracks are Thomsen compositions.  Bitter Sweet Harmony benefits from Miles Bould’s impressive array of percussive implements imparting an Afro-jazz feel.  Petal#6  (jointly composed by Thomsen and Nigel Hitchcock)  is addressed to all MaxSax fans and is partly vocalised and partly “spoken” through alto and baritone saxophones.  Walk completes the CD.

This is certainly an interesting listen, with much to commend it.  The style of music leans toward the rock style, in both percussion and guitar terms.  There is however an overall jazz feel – mainly imparted by Thomsen’s baritone and Hitchcock’s alto - with a sprinking of gospel and other  influences.  The CD is issued on 393 Records (TTNCD-008) and is available now.  Tini Thomsen will be at Royal Albert Hall, London as part of Prom 64 “The Breaks” on September 6.

And...
...Joost Kroon will be appearing at a social club near you in the near future.
Hugh C

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