Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18548 (and counting) posts since we started blogging 18 years ago. 412 of them this year alone and, so far this month (May 19) 66

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 22: Paul Skerritt @ Market Place, Durham. From 12 noon. Free. Skerritt w. backing tapes.
Fri 22: Paul Edis Trio @ The Gala, Durham. 1:00pm. £9.00. Edis, Andy Champion, Steve Hanley.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 22: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm. £TBC. Edis, Andy Champion, Steve Hanley.

Sat 23: Tyne Valley Big Band @ Bywell Hall. 2:00pm. Northumberland County Show.
Sat 23: Paul Edis @ Core Music, Gilesgate, Hexham. 3:00pm. £12.00. A Core Music fundraiser, Hexham Jazz Weekender Day/Weekend ticket not applicable. Hexham Jazz Weekender.
Sat 23: Blyth Big Band @ Yamaha Music School, Blyth. 6:30pm. £9.00., £5.00.
Sat 23: Paul Edis & Friends @ Musicwonders, Church Chare, Chester-le-Street. 7:00pm (6:30pm doors). £15.00. www.musicwonders.org. BYOB. SOLD OUT!
Sat 23: Alexia Gardner Quintet @ Queen’s Hall Hexham. 7:00pm. £13.50 (inc. bf). Hexham Jazz Weekender.
Sat 23: TC & the Groove Family + Lagos to Longbenton @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 23: Davina & the Vagabonds @ Cluny 2, Newcastle. 7:30pm (doors). £22.00. + £1.50 bf.
Sat 23: Celebrating Wes Montgomery @ Queen’s Hall, Hexham. 8:15pm. £14.00., £12.00. Hexham Jazz Weekender.
Sat 23: Chris Coull’s Porgy & Bess @ Queen’s Hall, Hexham. 9:30pm. £16.50 (inc. bf). Hexham Jazz Weekender.

Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 24: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 24: SwanNek @ Queen’s Hall, Hexham. 3:00pm. £11.50 (inc. bf). Hexham Jazz Weekender.
Sun 24: Salty Dog @ The Globe, Newcastle. 3:00pm. Free. Donations.
Sun 24: Ben Crosland’s Threeway @ Queen’s Hall, Hexham. 7:00pm. £13.50 (inc. bf). Line-up inc. Steve Waterman. Hexham Jazz Weekender.
Sun 24: Society Quartet @ Hilton Garden Inn, Sunderland. 7:00pm. Free.
Sun 24: Street Brass Band Bonanza: The Fanfare + Storytellers + Tenth Avenue Band @ The Star & Shadow Cinema, Newcastle. 7:30pm. £10.00., £8.00.
Sun 24: Charlie Parr @ Cluny 2, Newcastle. 7:30pm (doors). £17.50. Blues. Jumpin’ Hot Club.
Sun 24: Olly Styles Experience @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.
Sun 24: Finn-Keeble Group @ Queen’s Hall, Hexham. 8:15pm. £13.50 (inc. bf). Hexham Jazz Weekender. Feat. Jamil Sheriff.
Sun 24: Modern Vikings @ Queen’s Hall, Hexham. 9:30pm. £16.50 (inc. bf). Hexham Jazz Weekender.

Mon 25: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 26: Noel Dennis Sextet @ The Lit & Phil, Newcastle. 7:30pm. £12.00. A Miles Davis centenary concert (Davis b. 26. 5. 1926). Noel Dennis (trumpet); Harry Keeble (tenor sax); Dean Stockdale (piano); Mark Williams (guitar); Andy Champion (double bass); John Bradford (drums). SOLD OUT!
Tue 26: Lagos to Longbenton @ The Black Swan, Newcastle. 7:30pm. Free.

Friday, March 11, 2016

Love For Sale: A Superb Song

(By Ann Alex)
This is the latest in the series of looking at jazz songs in detail.  So far I’ve discussed Crazy Rhythm and No Moon At All, both light-hearted songs of music and love, but Love For Sale is quite different as it deals with a controversial subject which is currently newsworthy.  Jeremy Corbyn has been talking about legalising prostitution recently and the issue nowadays is tied up with our perceptions of child abuse and people trafficking.  I believe that Cole Porter made an important contribution to the debate with this song.
The song appeared in the musical New Yorkers in 1930, sung by Kathryn Crawford, a white woman, who portrayed a street-walker.  It attracted lots of criticism, was banned from the radio, but proved very popular.  You can’t keep a good song down, especially if it’s written by such a talented writer.  Because of the criticism, Elisabeth Welch, a black African American woman, took over the singing of this song. Readers will be able to work out the implications of that for themselves.
Here is the full text, including the verse:

When the only sound on the empty street
Is the heavy tread of the heavy feet
That belong to a lonesome cop
I open shop
The moon so long has been gazing down
On the wayward ways of this wayward town
Her smile becomes a smirk
I go to work

Love for sale
Appetizing young love for sale
Love that’s fresh and still unspoiled
Love that’s only slightly soiled
Love for sale

Who will buy
Who would like to sample my supply?
Who’s prepared to pay the price
For a trip to Paradise?
Love for sale

Let the poets pipe of love
In their childish ways
I know every type of love
Better far than they
If you want the thrill of love
I’ve been through the mill of love
Old Love
New Love
Every love but true love

Love for sale
Appetizing young love for sale
If you want to buy my wares
Follow me and climb the stairs
Love for sale
The verse evokes the atmosphere of a sleazy town really well, we feel the walking rhythm of the cop, and the short lines such as ‘I go to work’ leave us is no doubt about her type of work.  The chorus begins with what would be a street cry, if she was selling flowers.  I say ‘she’ and I think Porter meant the song to be sung by a woman, but actually it could be done by a man, as there are of course male prostitutes.  (That would be a challenge for a male singer!) The song suggests a young woman, which I think adds to the poignancy, a young life spoilt, but maybe she’s lying about her age?
I don’t think there’s any doubt that Porter was on the side of the prostitute, (‘I’ve been through the mill of love’), and in fact I’d go so far as to say that this is a protest song of the first order. ‘For a trip to Paradise’ is highly ironic of course, as the ‘price’ is so high, both in money and other risks. The constant repetition of ‘love for sale’ ensures that we don’t forget the point of the song.  And the line ‘Every love but true love’ must surely be one of the saddest lines in any song in the Gasbook.
The best version of the song I’ve heard is undoubtedly Billie Holiday’s.
The rhymes and repetitions work well and don’t require much explanation.  I’d love to read other people’s views on this song, especially about the actual tune.  I’ve never studied composition, and I’m sure instrumentalists could add useful insights.
Ann Alex

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