Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, January 18, 2013

CD Review: HULLABALOO – DAVE MANINGTON’S RIFF RAFF


Brigitte Bereha – vocals; Tomas Challenger – tenor saxophone; Ivo Neame – piano, Fender Rhodes, Keyboards, accordion; Rob Updegraff – guitar; Dave Manington – double bass; Tim Giles – drums percussion.
(Review by Debra Milne.)
Hullabaloo, an album by Dave Manington’s Riff Raff project, developed from several years of improvisation and collaboration, with a number of London based contemporary jazz musicians. He sets his stall out in the first track, Agile, which begins with a sweet rhythmic figure, then moves through a number of time signatures and key changes, and includes a freely improvised section with bass and drums.
 Brigitte Bereha uses her voice instrumentally on this and most of the tracks. She has a supple, light sound which complements the other instruments, either following a distinct melodic line, or in harmony with the tenor sax or double bass.  Her contribution is exemplified in Lingering At The Gravy, and follows Tim Giles introductory solo, featuring delicate cymbal work and drum rolls.
The influence of the drummer‘s fluid style on Manington’s playing and writing is reflected in several tracks, where the bass is the rhythmic anchor, allowing Giles to go off on percussionary diversions.  Bereha wrote lyrics to 3 compositions, and Catch Me The Moon comes closest (but not very) to a traditional jazz ballad, with a vocal & piano introduction. As with the rest of the album, there is no obvious ‘head – solos – head‘  structure, but periods where different instruments come to the fore, either individually or in combination.  There are European influences too: Pedro Bernardo was inspired by a stay in a Spanish hill town, and conveys the relaxed pace of life, building into dynamic solos from Rob Epdegraff on guitar and Tomas Challenger on tenor sax. Ivo Neame gets his accordion out for You Can’t Eat Crisps To That, playing an up-beat, Balkan-influenced groove,   which is developed and supplemented by additional rhythms and motifs by the rest of the ensembleManington named the CD after the second track Hullabaloo - a great noise or excitement,  but that  is a simplistic description  of a much more compelling musical conversation.
Loop Records Loop 1015 – distributed by Cadiz – release date January 21 2012.
Album launch date: The Vortex Jazz Club, January 28, 2013.

Debra Milne.

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