For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
August
Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!
Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX.
8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.
Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.
Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.
Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Whilst watching & enjoying the "Last night of the Proms" I was looking forward to the one Gershwin number, which turned out to be "They can't take that away from me". The Mezzo Soprano who sang it was Sarah Connolly, certainly not the ideal voice for this gem, but the young trumpeter who accompanied her was Alison Balsom, a real talent, and together they brought it off , even interspersed with some scat. 
1 comment :
I actually enjoyed it and, if I'd heard them in a club and not known who they were probably thought 'knockout!' However, as it was at the Proms everything was no doubt tightly arranged and carefully rehearsed (just how do they manage all those rehearsals?)so there was nothing improvised. Still it was very listenable and one can argue as to how much of jazz is actually improvised? Even Louis Armstrong and Jack Teagarden, in their latter years, tended to play the same solos night after night.
Trad fans would feel cheated if High Society or Dippermouth didn't have the now obligatory chorus as played nearly 80/90 years ago.
So, I suppose, the criteria is if a solo works don't try to fix it.
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