For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
October.
Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).
Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.
Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.
Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.
Whilst watching & enjoying the "Last night of the Proms" I was looking forward to the one Gershwin number, which turned out to be "They can't take that away from me". The Mezzo Soprano who sang it was Sarah Connolly, certainly not the ideal voice for this gem, but the young trumpeter who accompanied her was Alison Balsom, a real talent, and together they brought it off , even interspersed with some scat. 
1 comment :
I actually enjoyed it and, if I'd heard them in a club and not known who they were probably thought 'knockout!' However, as it was at the Proms everything was no doubt tightly arranged and carefully rehearsed (just how do they manage all those rehearsals?)so there was nothing improvised. Still it was very listenable and one can argue as to how much of jazz is actually improvised? Even Louis Armstrong and Jack Teagarden, in their latter years, tended to play the same solos night after night.
Trad fans would feel cheated if High Society or Dippermouth didn't have the now obligatory chorus as played nearly 80/90 years ago.
So, I suppose, the criteria is if a solo works don't try to fix it.
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