Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18680 (and counting) posts since we started blogging 18 years ago. 544 of them this year alone and, so far this month (July 3) 8

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 07: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); John Bradford (drums).
Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 08: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Sax on the Tyne @ St George’s Church, Jesmond, Newcastle. 7:30pm. £8.00. Feat. Sax on the Tyne & St George’s Community Choir.
Wed 08: Abbie Finn Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 09: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 10: Swing Manouche @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Olly Styles & Jacob Egglestone @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 10: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 10: Archipelago @ Lubber Fiend, Newcastle. 7:00pm . New album fundraiser gig.
Fri 10: King Bees @ Rebel Yell, Nelson St., Newcastle. 8:00pm. Free. Chicago blues.

Sat 11: Spanish City Rollers @ Community Stage: Mouth of the Tyne Festival, Front Street, Tynemouth. 12 noon. Free.
Sat 11: Jazz Stage: Mouth of the Tyne Festival (o/s Tynemouth Priory), Tynemouth. Free. Vieux Carré Hot 4 (12 noon); Rendezvous Jazz (1:00pm); Castillo Nuevo Trio (2:00pm); Classic Swing (3:00pm); Abbie Finn Trio (4:00pm). Day 1/2.
Sat 11: Lindsay Hannon: Tom Waits for No Man + Adam Millington @ St John’s Chapel, Town Hall, Weardale DL13 1QF. 5:00pm (doors). £16.26., £10.84., £8.67., £5.42 (under 18).
Sat 11: Milne Glendinning Band @ Langley Tracks, Langley-on-Tyne. 5:30pm.
Sat 11: Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm.
Sat 11: Karberry Big Band @ Forest Hall Social Club. 7:00pm. £7.00.
Sat 11: Ray Quinn: The King of Swing @ The Phoenix Theatre, Blyth. 7:30pm.

Thursday, April 30, 2009

Miles Kington by Germaine Stanger

Nigel and Miles (Kington) met when studying at Oxford in the early 1960s. Miles was reading French and Nigel English, but their friendship came about because of jazz. Miles had learnt to play the double bass whilst at Oxford, because there were very few bass players around at the time, so he thought he'd get a few gigs. Nigel was already something of a star playing piano and alto. It was there too that they met alto/tenor player Pat Crumly. Pat was to become a significant part of the London jazz scene and occasionally came north to play with the Newcastle Big Band; which he did in 2006 when the remnants of that band played the Sting gig at the Baltic. Pat and Miles both died in 2008. Miles and Nigel shared an enduring bond of university, music, humour and the memory of an idyllic holiday spent playing near Algeciras in Spain. Nigel played piano, Miles bass, with a chap called Mike Hollis on drums. They played in a small club throughout the summer of 1962. Miles has written a lot about that holiday and perhaps, many years later, it had something to do with the formation of 'Instant Sunshine.'
When the East Side Torpedoes were recording for the BBC, at the Paris studios in Lower Regent St., we met Miles and the other members of 'Instant Sunshine' who had stayed behind to have a drink with us following their earlier recording. Miles was very supportive of any London gigs we had during the seventies and early eighties; many of which had links to Andy Hudson. Miles Kington was a lovely man, handsome, unassuming, wonderfully witty and a good friend. He is missed by people who knew him, and the many who felt they knew him through Punch, The Independent, his many books* radio and television appearances. He filed his last article for the Independent, on the day he died. Miles never lost his love of jazz. His double bass took centre stage at his private funeral, along with piles of proofs, manuscripts, magazines and newspapers. When introducing the radio serialization of Miles's book, about his cancer, (entitled 'How shall I tell the dog,') his wife Caroline said Miles had written it because Nigel had telephoned some months before his death but had failed to mention his cancer, or that it might be the last time Miles and he spoke. Miles felt denied the chance to say good bye to Nigel, so when his own cancer proved terminal he decided to write about it. In fact Nigel didn't think he was going to go to that other Algeciras in the sky quite so quickly and made very little fuss about his cancer; it wasn't funny and somehow curbed the flow of the conversation. Come to think of it Lance, I should have included Miles in Nigel's Beadnell band; Miles Kington on Double Bass, Chas Chandler on Bass guitar, Pat Crumley on Tenor sax. and Charles De Gaulle on accordion -"Really wild, General," I hope you remember the Bonzo Dog Do Dah Band?
Germaine
*One of Miles' books was "The Jazz Anthology".

1 comment :

Lance said...

Thank you Germaine - as one of those who only knew Miles through his writing - you have helped me to build a better picture of him. In particular, I enjoyed his "Franglais" column in Punch.
Who can forget the the Bonzo Dog? Adolph Hitler on vibes etc!
In fact I always think of that disc when I'm at a gig and the bandleader introduces the musicians for maybe the tenth time in a set as if our memory was so short or their playing so unmemorable that we couldn't remember their names after the ninth time.

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