Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, December 05, 2025

Organology @ The Exchange 1856, North Shields - Dec. 4

© Ken Drew
Gilad Atzmon (alto sax); Ross Stanley (Hammond); Joel Barford  (drums)

I could sum up this gig in one word - Awesome! or in four words - Gig of the Year, it was that good. However, for those pernickety readers who want more then I'll give you three good reasons for the superlatives.

1. Joel Barford. He could make a lead balloon swing. Amazing technique. A young dog with new tricks.

© Ken Drew
2. Ross Stanley. The undisputed master of the Hammond and Leslie  the perfect foil for what's going on in front.

3. Gilad Atzmon. Gilad ensured there was plenty going on in front. Apart from his incredible technique the thing that grabbed me was his sound. he blows the air down one end and it comes out the other which is what all brass and woodwind players do. In Gilad's case however, the column of air resonates off the body of the instrument resulting in that big fat sound. Bird had it, Konitz dIdn't, Gilad has.

The material, apart from a couple of originals, were familiar standards albeit somewhat less familiar once Gilad had upped the ante.

© Ken Drew
After workouts on Mack the Knife and Secret Love came the first original, Facing the Waves. Beginning with an exotic Middle Eastern theme, a mesmerising exploration of what seemed to be a double harmonic scale before evolving into some Trane-like sheets of sound - breathtaking.

Alone Together had Gilad and Joel trading in a fantastic round of fours before Darn That Dream, and a bossa(ish) based original, La Holly Cove, brought us to the break. There was a beautiful aura about the building and I felt privileged to be there whilst, at the same time, sorry for those who didn't make the effort.

© Ken Drew
You Don't Know What Love is segued into White Christmas which was nothing like the ones we used to
know and had Barford going to town.  By this time I was so engrossed I stopped taking notes. It was around about now that Gilad and Ross indulged in a Bachian fugue-like passage that was quite amazing.

There is no Greater Love and My One and Only Love were followed by Scarborough Fair - Simon and Garfunkel it wasn't!.

What a Wonderful World brought the Show to a close and I left floating on a cloud. Lance

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