Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 24, 2020

Kellock kicks off label's UK Launch


(Press release)

Award-winning Scottish pianist Brian Kellock spearheads the UK launch on 30th October of New Zealand-based Thick Records, with two of the label’s three initial releases featuring the Edinburgh-born, Glasgow-based Kellock’s talents.

The launch is built around Think About It! - the long overdue follow-up to Kellock and his trio’s 2002 BBC Jazz Award-winning album, Live at Henry’s – and includes two albums by label owner and drummer, John Rae.

Rae’s trio, with Kellock and Kiwi bassist Patrick Bleakley, features on Where the Wild Clematis Grow, whose six tracks include three Rae originals and a highly individual take on Artie Shaw’s Nightmare. Rae, who moved to Wellington in the late noughties, also celebrates his Scottish roots on Uncouth and Without Form, with a new band formed in the cultural slipstream of his popular and critically acclaimed Celtic Feet.

Kellock, who starred with the Scottish National Jazz Orchestra at Middlesbrough Town Hall last October, has earned an international reputation for his work with, among other notable names, saxophonists Herb Geller, Joe Temperley and Scott Hamilton, trumpeters Warren Vaché and Red Rodney, singer Sheila Jordan and Australian multi-instrumentalist James Morrison.

His long-time partnership with fellow Scot, saxophonist Tommy Smith has produced three duo albums and work with the Scottish National Jazz Orchestra that includes Rhapsody in Blue Live, for which Smith rearranged the Gershwin classic especially for Kellock as the featured soloist, and In the Spirit of Duke, with Kellock taking the Ellington role.

The piano-bass-drums format, and particularly his trio with Rae on drums and Kenny Ellis on bass, has a special place in Kellock’s affections, however.

“I’ve known John since around 1982 or 1983 and we got on really well from the start, both on and off-stage” says Kellock. “We’ve played in each other’s bands and worked together in other people’s bands and have always had a good musical understanding.”

With bassist Ellis, Kellock and Rae formed the rhythm section of the John Rae Collective, a group that featured trumpeter Colin Steele, saxophonist Phil Bancroft and guitarist Kevin Mackenzie and that, along with their contemporary, Tommy Smith, represented a resurgence in Scottish jazz during the mid to late 1980s.

For John Rae, Kellock is the ideal musician to lead his label’s launch.

“Brian’s such an extraordinary musician and yet, after all this time, he’s still an artist deserving wider recognition,” he says. “It’s no wonder that people like Herb Geller or Sheila Jordan have made him their accompanist of choice. But for me, what makes him so special to work with, apart from his outrageous virtuosity and fantastic knowledge of the jazz repertoire, is that I always know he’ll be committed to the concept, regardless of the consequences.”

The Thick Records releases are all available to download-only. Rae thought long and hard about the “to CD or not to CD” question and arrived at the decision to go digital when he realised that he had no CD slot anywhere – neither in his house nor in his car or computer – and found that a lot of people are in the same situation.

“I have boxes and boxes of CDs in my garage that I don’t play but I’ve probably listened to the music on most of them through downloading or streaming,” he says. “It boils down to the music, not whatever the music’s stored on, being what’s important and I’m happy that the standard of the music we’re making available is high.” 

For further information, see https://www.thickrecords.co.nz/

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