Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 27, 2019

CD Review: The Last Taxi - New Destinations


Chiara Liuzzi (voice, electronics, sound objects), Giorgia Santoro (flute, bass flute, bansuri, xiao, piccolo, voice, effects), Adolfo La Volpe (guitar, live electronics), Giacomo Mongelli (drums), Chris Rathbun (bass), Pat Battstone (piano).
(Review by Steve T)

Ethnic sounding flute and female voice with something going on behind. I knew this was going to be a tricky review, with three out of six musicians playing electronics, sound objects, effects and live electronics, not to mention a couple of instruments I've never heard of. Anybody who would be interested in it will probably have already made up their minds.


Track two evolves into something resembling a jazz piano trio, then voice - and possibly some discernible lyrics - before some unusual guitar chords joined in, then flute.

Some breathing and sound-effects lead into another piano trio, plus more obscure, obtuse guitar chords, then joined by one of the flute family before it settles into a basic rock rhythm, giving the whole thing some welcome release.

Piano, heavy breathing, some effects, guitar but this time it's a long piece to sustain. And so it goes on though becoming increasingly difficult to maintain interest.

Until track ten of thirteen. Morning in a Japanese Garden   with some Far East Asian sounding instrumentation and vocalising, joined by some lovely, tasteful ivory tinkling bringing a contrasting Western flavour.

I'd love to say the album is better than my futile adjectives suggest but, if I'm honest, I suspect I'm making it sound better than it actually is. While there is a market for this type of thing, I doubt if anybody from the regular Bebop Spoken Here team are equipped to do it justice. Ann Alex claims she has been promoted to reviewing instrumental albums so perhaps I've been demoted to reviewing a vocal album, although I remain uncertain whether there are any recognisable words.

I don't dislike it and some of it's very good, and I'm not averse to interludes, provided they enhance the jouissance, here the best bits would work fine as interludes, but fall short as highlights.

I suspect it will be far more interesting live and I would certainly try to catch them if they played the North East, so perhaps that's where they could sell it.
Steve T 

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