Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 23, 2018

A Jazzy Christmas @ Ushaw - Dec. 20

(Review by Steve T/PHOTOS courtesy of Ken Drew) 


Thursday - the day after the Christmas party - found us in Co. Durham’s largest town during a rush-hour bomb scare which left half the town in lockdown and the other half in gridlock. Since the car was in the lockdown zone we took a bus through the gridlock zone for a crazy, hour-long, stop-start bus journey which left me talking into a bag by the time we hit the mean streets of Bishop Auckland.

Turned up at Ushaw just in the nick of time, after Mrs T had to stop (her crazy stop-start driving) at the bottom of the drive, with another stop - in Spennymoor - during the homeward journey.

It took a full two days to recover fully allowing the battery-powered, roadside recoverer, anonymous alcololic, the lovely Ann Alex (did anyone see what I did there?) to get her review in for the following night ahead of me, making my task somewhat easier: what she said.


Actually the two shows were almost identical but totally different. Sage Gateshead looked splendid but the theatre at Ushaw has an innate fairy-tale quality which makes it perfect for this type of thing. Ushaw was generally more relaxed, which makes no qualitative judgement, and we were fortunate to be incentivised to do both. The various horn players dotted around the theatre for Drummer Boy seemed to work better at Ushaw, or was it just that on Friday we were expecting it.

It's clear we all got our annual top-ten lists in too early this year, but the beauty of ten is that twelve is also a 'power' number. They say men never grow up and I've loved Christmas throughout my life, throughout its twists and turns, through all the instalments of it that life throws at you - captured wonderfully on Paul’s future Christmas number one - and I started thinking, (more on Friday, but maybe because by then I was pretty sure I wasn't going to need a quick exit) if I continue to become more sentimental and nostalgic as (if) I grow older, I may not be able to listen to music in public.

Unfair to single anybody out, but Matt Anderson was dominant throughout, with Graham Hardy reaffirming why he's a beast. The respective violinists across the two nights brought new moments of sublime jouissance to familiar classics and the girls in the corner were wonderful.
 
Paul Edis continues to enrich our region and I'm not going to denigrate him by comparing him to that bunch in the other place but, it's on nights like these, we dare to think we may be in the presence of greatness. Not forgetting that behind every great man there's a great woman, and credit to Kate Edis for co-writing the Christmas song and inspiring Matt Anderson’s uplifting rendition of Driving Home for Christmas; one of the few modern Christmas songs people genuinely seem to like. 

The big problem they face next year is that, if everybody who was there tells just one person (and I have a list), where do we all go? But that's the sort of problem we like. 

Steve T.
Paul Edis (piano, vocals); Jo Harrop (vocals); Andy Champion (bass); Russ Morgan (drums); Matt Anderson (tenor & soprano sax); Francis Tulip (guitar); John Paul Garner (violin); Graham Hardy (trumpet, flugel); Jason Holcomb (trombone); Faye Thompson (alto sax, clarinet); Megan Robinson (flute).

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