Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 27, 2018

In Other Words & BABA @ Ushaw, Durham - August 26

(Review by Russell)
Offering performance opportunities to young musicians has become an integral part of the Ushaw Jazz Festival. This year's three day event opened on Friday evening with the Early Bird Big Band, Saturday afternoon featured the hothouse duo of Francis Tulip and Matt MacKellar (Birmingham and Berklee students, respectively) alongside the Whitley Bay keyboard wizard Joel Brown, and, on a lazy Sunday afternoon in the Francis Thompson Room, two bands (seven musicians, average age seemingly not much more than seventeen and three quarters!) were intent on making a big impression. 
A short set, all of thirty minutes, meant there was no time to waste for the three young musicians calling themselves In Other Words.

In Other Words: Alex Thompson (alto sax, clarinet); Nathan Lawson (guitar); Dylan Thompson (drums)
Straight ahead jazz is what In Other Words are all about. Autumn LeavesA Foggy Day in London TownLi'l Darlin' and the trio's signature tune, yes, you've got it, Fly Me to the Moon

Alex Thompson plays alto saxophone and clarinet - the former determinedly, the latter leisurely, both effectively. The young man positioned in the middle of the Thompsons (drummer Dylan is brother to Alex), left-hander Nathan Lawson,  plays a beautiful black Gretsch guitar. A fine player is Nathan, playing with or without a plectrum, the influence of Dr James Birkett all too evident. The trio's arrangements impressed and Dylan Thompson's expert use of brushes belied his tender years. DT has just left school and college beckons...watch out music world! Similarly, Alex will soon be off to university and a chair in a student big band surely awaits. 

Nathan's considered intro to Goodbye Pork Pie Hat set up Alex to unleash an impassioned, bluesy alto solo. Perhaps the tune of the set, but wait, their closing number ...I Got Rhythm with Dylan's hi-hat working overtime as he brushed at a lick and Alex's swift execution ideas, not shy about throwing in a quote or two - The Flintstones, for one - and Nathan on the case just about topped it. A most enjoyable set.
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BABA: Thomas Dixon (alto sax, tenor sax); Ben Lawrence (piano); Adam Cornell (bass guitar); Dylan Thompson (drums)
Thomas Dixon co-leads BABA. The name roughly translates to 'spit' and it's a fair bet that alto saxophonist Dixon felt like doing it - spitting, that is - as a certain low-cost airline cancelled flights across Europe resulting in co-leader Inês Gonçalves being stranded in Portugal. What to do...find a piano dep or play as a piano-less trio? A potential dep happened to be at Ushaw and, with little time to get to grips with the all-original material, Ben Lawrence agreed to play the piano parts.

Dixon on tenor sax suggested the set's untitled opening number, written by the absent Gonçalves, could be called The Ryanair Debacle. A structured piece with space to improvise, Dixon led the way and didn't hesitate in giving the nod to the depping Lawrence who set about the material as if a long time member of the quartet. 

Binker and Moses and other high profile names are said to be influences on BABA and the intriguingly titled Origami Grandma incorporated elements of the drum 'n' bass, or rather the drum (Moses) and tenor sax (Binker) sound currently in vogue with Dixon on alto swooping in and out of swingtime sections. 

Dixon's clapped intro set up the band on Mouthwashing - drummer Dylan Thompson brandishing mallets with rock steady bassist Adam Cornell at his side.  Dixon has been busy writing material with some crazy time signatures and in introducing Moon Drunk suggested he and his bandmates could well be seen mumbling to themselves such was the level of concentration required. And concentrate they did! Drummer Thompson set up and maintained a complex rhythm as short-notice dep Ben Lawrence somehow or other produced a fully formed solo. 

BABA concluded the afternoon's entertainment in the Francis Thompson Room with Inciting Incident but not before Dixon thanked Paul Edis for giving the band the opportunity to perform at this, the third Ushaw Jazz Festival. All original material, some of it premiere material, keep an eye out for BABA.    
Russell.   
Ushaw photos.     

1 comment :

Lance said...

What Russell failed to mention was that Tom Dixon was playing on a borrowed alto. A very fine alto indeed but, as saxophonists, motorists and womanisers will affirm - each one is different and it takes time to find the comfort zone.
On alto, Tom found that comfort zone fairly quickly...

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