Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18402 (and counting) posts since we started blogging 18 years ago. 266 of them this year alone and, so far this month (Mar. 31 ), 76

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); Abbie Finn (drums).

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Zoë Gilby & Johnny Hunter @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Tom Remon + Laurence Harrison @ Newcastle Arts Centre. 7:30pm. Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Michael Littlefield @ The Harbour View, Sunderland. 8:00pm. Free. Blues.
Thu 09: Jeremy McMurray’s Pocket Jazz Orchestra w. Dan Johnson @ Arc, Stockton. 8:00pm. £15.00. inc. bf.

Fri 10: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 10: Joe Steels: Celebrating Wes Montgomery @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Joe Steels, Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Gambling Janes @ Warkworth Memorial Hall. 7:30pm. £10.00.
Fri 10: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 10: Steve White Trio @ The Cluny, Newcastle. 7:30pm (doors). £20.00. + bf. Soul Drum (Acid Jazz Records) album tour.

Sat 11: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £26.80.

Sun 12: Swing Social @ The Cluny, Newcastle. 12 noon (doors). Admission: Donations (£5.00. - £10.00. suggested). Swing dance taster class, social dancing to Niffi Osiyemi Trio, DJs. Non dancers welcome. A Cluny-Swing Tyne event.
Sun 12: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 12: Trio Grand @ The White Room, Stanley. 6:30-9:30pm. £10.84.
Sun 12: SH#RP Collective @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Saturday, April 28, 2018

CD Review: Shake Stew - Rise and Rise Again

(Review by Russell)
Rise and Rise Again is the second album by Austrian band Shake Stew. Comprising of six tracks with a total running time of just shy of forty-three minutes, bandleader Lukas Kranzelbinder wrote all of the music heard on this Traumton label release. The unusual instrumentation of three horns, two bass players and two drummers produces a distinctive, frequently overwhelming sound. The opening track – Dancing in the Cage of a Soul – goes for the jugular with its insistent percussive rhythmic pulse. Saxophonists Clemens Salesny and Johannes Schleiermacher join the noisy fray until ceding to a two-drum coda.

Township trumpet by Mario Rom elevates How We See Things to something akin to an anthemic, hypnotic slow groove which succeeds in quelling the now four horns line-up with the addition of a guest tenor saxophonist – the critically acclaimed Shabaka Hutchings – contributing to the first of two tracks. Kranzelbinder composed Goodbye Johnny Staccato specifically for tenor saxophonist Johannes Schleiermacher to let rip and he does just that. Inspired by the late ’fifties/early ’sixties American television series featuring John Cassavetes as a jazz piano playing private detective, it certainly isn’t Elmer Bernstein!

The two-part Fall Down Seven Times/Get Up Eight offers further light and shade, contrasting with the still-ringing-in the-ears opener. The titles suggest a dogged perseverance, a determination to rise up, confront the (socio-political?) matter at hand, ultimately overcoming seemingly impossible odds. First there is Rom’s superlative trumpet playing, then Hutchings making his presence felt.

No Sleep My King? closes Shake Stew’s second album in becalmed, stately fashion. The Austrian jazz scene isn’t readily familiar territory to Bebop Spoken Here. Perhaps this new album by Shake Stew will open up a rich new seam of European jazz waiting to be heard by a British, European or indeed, international audience.                              
Russell

Rise and Rise Again by Shake Stew is released on the Traumton label (catalogue no.4663) on Friday May 4, available on CD, 180g vinyl and as a digital download. Shake Stew will be on tour in the UK in 2019. 

Clemens Salesny (alto saxophone, tenor saxophone); Johannes Schleiermacher (tenor saxophone); Mario Rom (trumpet); Lukas Kranzelbinder (double bass, electric bass); Manuel Mayr (double bass, electric bass); Niki Dolp (drums, percussion); Mathias Koch (drums, percussion) + Shabaka Hutchings (tenor saxophone) tracks 2 & 5.

1 comment :

Patti said...

And did anyone see what the Wiener Zeitung said about this recording ........ 'Shamanic smears of sound, a fusillade of colossal, architectural beats, and snaking, energy-drunk horn lines - vast, cinematic music.' I think they liked it!

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