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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: The Eight Words - A Jazz Suite @ Newcastle Cathedral, St Nicholas Square, Newcastle NE1 1PF. Tel: 0191 232 1939. 7:30pm. £20.00. (£17.00. student/under 18). Tim Boniface Quartet & Malcolm Guite (poet). Jazz & poetry: The Eight Words (St John Passion).
Thu 02: Funky Drummer @ The Globe, Newcastle. 8:00pm. Free.
Thu 02: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Mark Toomey (alto sax); Jeremy McMurray (keys) Alan Rudd (bass); Paul Smith (drums)

Fri 03: Dean Stockdale Trio @ The Old Library, Auckland Castle. 1:00pm. 8:00pm.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 03: Front Porch Blues Band @ Cobalt Studios, Newcastle. 7:30pm.
Fri 03: Boys of Brass @ Hoochie Coochie, Newcastle. 8:30pm. £5.00.

Sat 04: Jeff Barnhart’s Mr Men @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Jeff Barnhart @ The Vault, Darlington. 6:00pm. Free. Barnstorming solo piano!
Sat 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. Free (donations).
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: Sue Ferris Quintet plays Horace Silver @ Central Bar, Gateshead. 2:00pm.
Sun 05: Guido Spannocchi @ The Globe, Newcastle. 8:00pm.

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Calvert & the Old Fools @ Forum Music Centre, Darlington. 5:30-7:00pm. Free. Live recording session, all welcome.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Mark Robertson.
Tue 07: Suba Trio @ Riverside, Newcastle. 8:00pm (7:30pm last entry). £21.00. All standing gig.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, April 28, 2018

CD Review: Shake Stew - Rise and Rise Again

(Review by Russell)
Rise and Rise Again is the second album by Austrian band Shake Stew. Comprising of six tracks with a total running time of just shy of forty-three minutes, bandleader Lukas Kranzelbinder wrote all of the music heard on this Traumton label release. The unusual instrumentation of three horns, two bass players and two drummers produces a distinctive, frequently overwhelming sound. The opening track – Dancing in the Cage of a Soul – goes for the jugular with its insistent percussive rhythmic pulse. Saxophonists Clemens Salesny and Johannes Schleiermacher join the noisy fray until ceding to a two-drum coda.

Township trumpet by Mario Rom elevates How We See Things to something akin to an anthemic, hypnotic slow groove which succeeds in quelling the now four horns line-up with the addition of a guest tenor saxophonist – the critically acclaimed Shabaka Hutchings – contributing to the first of two tracks. Kranzelbinder composed Goodbye Johnny Staccato specifically for tenor saxophonist Johannes Schleiermacher to let rip and he does just that. Inspired by the late ’fifties/early ’sixties American television series featuring John Cassavetes as a jazz piano playing private detective, it certainly isn’t Elmer Bernstein!

The two-part Fall Down Seven Times/Get Up Eight offers further light and shade, contrasting with the still-ringing-in the-ears opener. The titles suggest a dogged perseverance, a determination to rise up, confront the (socio-political?) matter at hand, ultimately overcoming seemingly impossible odds. First there is Rom’s superlative trumpet playing, then Hutchings making his presence felt.

No Sleep My King? closes Shake Stew’s second album in becalmed, stately fashion. The Austrian jazz scene isn’t readily familiar territory to Bebop Spoken Here. Perhaps this new album by Shake Stew will open up a rich new seam of European jazz waiting to be heard by a British, European or indeed, international audience.                              
Russell

Rise and Rise Again by Shake Stew is released on the Traumton label (catalogue no.4663) on Friday May 4, available on CD, 180g vinyl and as a digital download. Shake Stew will be on tour in the UK in 2019. 

Clemens Salesny (alto saxophone, tenor saxophone); Johannes Schleiermacher (tenor saxophone); Mario Rom (trumpet); Lukas Kranzelbinder (double bass, electric bass); Manuel Mayr (double bass, electric bass); Niki Dolp (drums, percussion); Mathias Koch (drums, percussion) + Shabaka Hutchings (tenor saxophone) tracks 2 & 5.

1 comment :

Patti said...

And did anyone see what the Wiener Zeitung said about this recording ........ 'Shamanic smears of sound, a fusillade of colossal, architectural beats, and snaking, energy-drunk horn lines - vast, cinematic music.' I think they liked it!

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