Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, September 04, 2017

Book Review: Serendipity Doo-Dah Book One by Edward Allan Faine.

You know how it works, or rather how it used to work back in the day when the GASbook ruled the airwaves - or do you?
The songwriter, usually a Jewish or a Russian immigrant, writes a catchy melody, adds a lyric (or else knows a guy who has a way with words to form a team) and starts pestering all the music publishers in Tin Pan Alley. Eventually, he succeeds in getting his masterpiece published and before you know it, he's moved from Skid Row to Park Avenue and married an heiress.
Right?
Wrong!
The first thing our young tunesmith discovers is that 9 times out of 10 the moguls who make these decisions don't know a crotchet from a hat check girl!
So how does his/her song get published and become a smash hit?
Luck, fate, happy accident, maybe someone up there had sympathy with our composer.
Edward Allan Faine thinks so and he makes a strong case for 43 of some of the worlds most loved songs from 1918-1989 (and don't forget this is just book one!) that fate took a hand in guiding them to their destiny.
I'm not going to post any spoilers save to say that they range from Richard Whiting and Richard Egan's 1918 song Till We Meet Again (the discarded manuscript was rescued from a waste basket by a secretary) to Tom Petty and Full Moon Fever that, in 1989, almost didn't make it owing to a....read the book and find out for yourself!
Faine's style is humourous and perceptive. There's many a chuckle and a 'Well I never!' that, only those whose heart has never stood still will fail to utter. I'm already on to my second reading and picking up on other gems.
A cross section of artists and composers are in there. Jazzers, popsters, rockers who all had hits, often with unlikely items in even more unlikely circumstances.
There's also a lot of quotes from songwriters who go along with the theme of divine inspiration - melodies or lyrics that arrive out of the blue and decree that you are the one to introduce them to the world.
Like Faine's previous books* reviewed on this site, it's highly recommended and well worth reading  - again and again.
Lance.

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