Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 04, 2014

Joshua Redman @ Jazz en la Costa, Almunecar, Spain, July 21

Joshua Redman (sax) , Aaron Goldberg (piano), Reuben Rogers (bass) and Gregory Hutchinson (drums).
(Review by JC). 
Almunecar is a very pretty coastal town on the Costa Tropical in Southern Spain. One thing it's famous for is being the town where Laurie Lee ended up after his epic walk through the length of the country in 1936 with just a fiddle and a loaf of bread in a knotted handkerchief on the end of a stick as luggage. Unfortunately, he arrived in the middle of the Spanish civil war and things were a bit dangerous as the next town along was on a different side to Almunecar, so eventually he had to be rescued by the British navy. He later wrote about his adventures in his book As I walked Out One Midsummer Morning.
Although it is not reported whether Lee played jazz on his fiddle, Almunecar's other claim to fame is that it has hosted a stylish and quirky jazz festival for over 25 years. The location of the concerts must be one of the coolest and most idyllic around as they take place in wonderful tropical gardens beneath an old floodlit castle. The gardens are full of palms and banana trees and there are pieces of interesting sculpture dotted here and there. The open stage sits underneath the castle in front of much tropical greenery and the musicians are sometimes accompanied by squawky scat from cockatoos and parrots as they fly by. And it wouldn't be a total surprise if a ring-tailed lemur was to swing down from the trees and have a quick thrash on the drums ('Yo! lemur' as a recent visiting American musician might say, hopefully not too many times).
There are rows of seats in front of the stage for people who just want to listen to the music, while further back there are tables with red lights (like an old style al fresco Ronnie Scott's) for those who want to drink, talk and also listen. It all works perfectly.
As well as the Joshua Redman Quartet, this year's programme offered Tord Gustavsen from Norway, Dave Holland, singer and composer Zara McFarlane and Charles Lloyd, amongst others. Not a bad selection.
Redman and his colleagues were in great form going straight into one of his own tunes played at full volume and pace. Surprisingly the second tune was Summertime ('but not as you know it, Lance'). This one included a brilliant, fifteen minute piano solo from Aaron Goldberg which crossed summertime with wintertime, Greenwich Mean Time, time after time and the space/time continuum to dismantle and reconstruct the original tune. The drummer had something to say about this as well. When Redman came back in for his second solo he played a number of beautiful Coltranesque phrases to return to the original tune, as well as managing some exuberant leg kicks.
Impressively, Redman did his best to make his announcements in Spanish although sometimes it drifted into Spanglish and bits of French but the local crowd appreciated it, even if it meant I couldn't understand most of it. So, picking up on the few words I could hear, it appeared that the next tune was written by a rock band from New York, but turned out to be another fiery jazz piece with no discernable rock features as far as I could tell. A number of what seemed to be classical inspired pieces followed with incredibly elegant solos from both Redman and Goldberg on piano. As the night went on the pieces became more musically complex with one number having a long and intricate bass intro before the rest of the band took on the theme and developed it further. For one tune the piano player retired from view and Redman played an extended solo intro, which included both more leg kicks but also, in amongst the torrent of notes, what sounded like double bass sounds. I looked at Reuben Rogers to see if his hands were moving but they were still resting on top of the bass, so they had to be coming from the saxophone.
This was one of those red-hot, but at the same time, cool bands who play with what appears to be such effortless technique yet still seem to be really enjoying themselves. The crowd (and the cockatoos) loved it and the band played an encore to a standing ovation. The happy crowd then drifted off quietly into the balmy night for a glass of wine and some tapas at a bar down by the beach. Nice.
JC

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