Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18532 (and counting) posts since we started blogging 18 years ago. 396 of them this year alone and, so far this month (May 15) 50

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 22: Paul Skerritt @ Market Place, Durham. From 12 noon. Free. Skerritt w. backing tapes.
Fri 22: Paul Edis Trio @ The Gala, Durham. 1:00pm. £9.00. Edis, Andy Champion, Steve Hanley.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 22: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm. £TBC. Edis, Andy Champion, Steve Hanley.

Sat 23: Tyne Valley Big Band @ Bywell Hall. 2:00pm. Northumberland County Show.
Sat 23: Paul Edis @ Core Music, Gilesgate, Hexham. 3:00pm. £12.00. A Core Music fundraiser, Hexham Jazz Weekender Day/Weekend ticket not applicable. Hexham Jazz Weekender.
Sat 23: Blyth Big Band @ Yamaha Music School, Blyth. 6:30pm. £9.00., £5.00.
Sat 23: Paul Edis & Friends @ Musicwonders, Church Chare, Chester-le-Street. 7:00pm (6:30pm doors). £15.00. www.musicwonders.org. BYOB.
Sat 23: Alexia Gardner Quintet @ Queen’s Hall Hexham. 7:00pm. £13.50 (inc. bf). Hexham Jazz Weekender.
Sat 23: TC & the Groove Family + Lagos to Longbenton @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 23: Davina & the Vagabonds @ Cluny 2, Newcastle. 7:30pm (doors). £22.00. + £1.50 bf.
Sat 23: Celebrating Wes Montgomery @ Queen’s Hall, Hexham. 8:15pm. £14.00., £12.00. Hexham Jazz Weekender.
Sat 23: Chris Coull’s Porgy & Bess @ Queen’s Hall, Hexham. 9:30pm. £16.50 (inc. bf). Hexham Jazz Weekender.

Saturday, July 16, 2011

Robert Walser: 1878-1956

No, not another deceased jazz musician, but a Swiss writer, whose work is being hailed by a small group of people, known as the Robert Walser Institute (see http://www.instituterobertwalser.com/). I mention this because jazz singer Gabi Heller is involved, and some of us jazzers were at a very entertaining reading of Walser’s work on Friday evening. This was held at Culture lab onsite, which is one of the Arches on Forth Street, Newcastle. The readers, Gabi, Claire Webster Saaremets and Tim Bennett were all accomplished actors who read well, such passages as Walser’s ‘Job Application’ in which he said that he would be a faithful honest employee who just wanted peace to get on with the job. This was a refreshing contrast to the way people are encouraged to do such applications now, by praising themselves profusely. The writing is hard to describe, showing an original way of looking at the world, questioning everything, sometimes winsome, with contradictions, and with some parts where the reader is unsure whether the material is autobiographical or not. After a piece about a flower ceremony, the readers picked up flowers, then listeners were encouraged to take the flowers provided. Each flower had a label attached which bore a quote from the writer, for example ‘Who has an airy spirit, is more likely to go bonkers from time to time’ In fact, Walser spent the final years of his life in an asylum, but as Gabi suggested, no-one seemed sure of what this illness was, and it may have been simply that he couldn’t quite cope with mainstream life. It did produce the following quote from Walser who, when asked why he wasn’t writing, replied that he wasn’t here to write, he was here to be mad! The readings were interspersed with music which had been inspired by the work, such as a piece by guitarist Glenn Jones entitled Snowdrops (for Robert Walser). And this is where the jazzers could get involved, as the work is crying out to have some kind of musical commentary. I suggest a lone saxophone or clarinet with drum accompaniment, just for starters. Discussion of the work was encouraged, and there was a book display, and also wine and nibbles, so what’s not to like? More Walser inspired events are promised for the future I’m glad to report. Ann Alex.

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