There are times when I leave a Schmazz @ The Cluny gig wondering if I've been transported into the next millennium or indeed if I'm still on the same planet. There have even been times when I've feared for my sanity or at least that of those around me. I'm delighted to say that, tonight was not such a night.
The Kevin McKenzie Quartet, displaying a rare brand of originality, managed to incorporate a suggestion of Scottish folkiness with some post contemporary hard blowing that verged on the free but never became totally unshackled—I'm pleased to say.
Tenor saxist Phil Bancroft had some storming moments that at times reflected early Ornette or maybe Archie Shepp. These contrasted with the more sedate playing of Kevin McPherson whose guitar mastery was beyond question. The two also indulged in a few fascinating choruses of improvised interplay.
Behind them, Aidan O'Donnell on double bass provided the harmonic foundation for the two frontmen's flights of fancy whilst on drums, Tom Gordon, an absolute colossus, drove them unmercifully forward. Tom also contributed several powerhouse solos.
This is pretty close to being as good as it gets at the cutting edge.
For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Bebop Spoken There
Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.
The Things They Say!
This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)
Postage
18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100
From This Moment On ...
JANUARY 2026
Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.
Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Reviewers wanted
Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog.
Look forward to hearing from you. Lance
Tuesday, December 16, 2008
Kevin McKenzie Quartet - Schmazz at the Cluny
There are times when I leave a Schmazz @ The Cluny gig wondering if I've been transported into the next millennium or indeed if I'm still on the same planet. There have even been times when I've feared for my sanity or at least that of those around me. I'm delighted to say that, tonight was not such a night.
The Kevin McKenzie Quartet, displaying a rare brand of originality, managed to incorporate a suggestion of Scottish folkiness with some post contemporary hard blowing that verged on the free but never became totally unshackled—I'm pleased to say.
Tenor saxist Phil Bancroft had some storming moments that at times reflected early Ornette or maybe Archie Shepp. These contrasted with the more sedate playing of Kevin McPherson whose guitar mastery was beyond question. The two also indulged in a few fascinating choruses of improvised interplay.
Behind them, Aidan O'Donnell on double bass provided the harmonic foundation for the two frontmen's flights of fancy whilst on drums, Tom Gordon, an absolute colossus, drove them unmercifully forward. Tom also contributed several powerhouse solos.
This is pretty close to being as good as it gets at the cutting edge.
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1 comment :
I thoroughly enjoyed this session too. Fantastic musicianship all round and cutting edge but completely legitimate playing. Very modern but somehow attractive and accessible. First time I've heard Kevin but what a great player. That's yet another international class guitarist from Scotland - there seem to be several of them just now.
Roly
diriash
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