Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Sat 20: Tyne Valley Big Band @ Tynedale Beer Festival, Corbridge. 5:00-6:00pm.
Sat 20: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 20: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 20: New Century Ragtime Orchestra @ Trinity Church, Gosforth, Newcastle. 7:30pm. £20.00. NCRO w. guests Dean Stockdale & Nick Ward.

Sun 21: From Lagos to Longbenton: Unity in the Community @ Sunderland Minster. From 1:30pm. Free. A multi-bill Unity in the Community event, inc. From Lagos to Longbenton.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 21: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio w. Graham Hardy.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 22: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Sunday, July 23, 2023

A (confused) guide to buying a sax.

So, you want to buy a sax (or any instrument)? Well, back in that real world we once lived in, all you had to do was go in to your local music store where knowledgeable staff would demonstrate several instruments, explain differences, offer HP/trial schemes and that was that except that, as the internet emerged from its murky waters, after wasting your time, they would then order online only to find the instrument, upon arrival, had been either damaged in transit or needed some tweaking which you, Joe Muggins, was expected to do.

However, that is by the by, the trick is to decide what instrument, in this case saxophone, you want in the first place.

A good idea (one might think) is to trawl the pages of music mags such as DownBeat - they know about these things.

The July issue revealed that Gerald Albright plays a Cannonball alto. Wow! it must be something. Gonna get me one.

I turn the page and discover that Eastman are introducing 'the Ultimate 52nd Street Sound'. It also has the 'precision of DS Mechanism'! Not only that, Bob Mintzer of the Yellow Jackets collaborated in the design. Must have that one although I'll pass on the colour of the jacket.

So far so good. Then, several pages on, it's all blown apart with a review of the 2023 NAMM show.

This is the trade fair of the music industry. I haven't been there but I know a man who has.

All bets are off!

Eastman, needless to say are represented and the horn that caught the DB reviewer's eye was their 'Revamped 52nd Street Bari' described as 'coming unlacquered for a vintage appearance'. I mean would you buy a new car that needed a paint job? Although you could, possibly, con someone into believing the sax had once belonged to Gerry Mulligan or Harry Carney should you decide to pass it on. However, it does have a case with wheels.

P.Mauriat offer saxes that have Kirk Whalum black necks, a stable low register, omni-directional sound and a superior aesthetic design. 

Victory Musical Instruments' 'Major Revelation' series provides players with 'an ergonomic design'.

To sum up, to find your perfect instrument you need to discover one that has:

a) DS Mechanism

b) Unlacquered for a vintage appearance

c) A case with two wheels

d) Kirk Whalum black necks, a stable low register, omni-directional sound and a superior aesthetic design

e) An ergonomic design

f) Endorsed by Gerald Albright or Bob Mintzer

g) (Best) One that has been recommended by a local sax player - providing he hasn't got one for sale! 

Reeds and mouthpieces will be covered in a future post. Lance

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