Alan Marshall (tenor sax, clarinet); Jim McBriarty (alto sax, clarinet, vocals); Neville Hartley (trombone, vocals); Jeremy McMurray (piano); Alan Rudd (double bass); Ian Stocks (drums) + Jim Charlton (clarinet)
Hailstones, snow, a bracing North Sea breeze, what's not to like about Cullercoats? The hardy braved the elements, the Crescent Club, a social club boasting five hand pulls, three of them on tap, what's not to like? Fridays it's Classic Swing. One or two deps of late and, this afternoon, the lurgy-stricken Olive Rudd was absent, curled up in front of a log fire with a good book (or something like that).
The absent Tommy Moran will be delighted to know the band continues to open the show with Classic Swing. The number, very Humph-like, set the tone. The absent Tommy Graham will be pleased to hear Ian Stocks is holding the fort, alongside Messrs A. Marshall, J. McBriarty, N. Hartley, J. McMurray and A. Rudd. Trombonist Hartley sang a few, including Smiles and Sweet Lorraine, backed as ever by pianist Jeremy McMurray and the rhythm section and the ever-sympathetic horns (Marshall and McBriarty).
Jim McBriarty (alto sax and clarinet) sang his share, Harold Arlen's As Long As I Live a good one, likewise Ellington's Just Squeeze Me. Jim Charlton joined the boys for a measured clarinet feature on Burgundy Street Blues. Hailstones, snow, dud raffle tickets, what's not to like about a Friday afternoon at the Crescent Club? Classic Swing's weekly residency is well worth getting along to. One o'clock, free admission, an accomplished band, a selection of decent beers, that's the Crescent Club. Russell
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