Carole
Williams (keyboards, trombone, vocals); Paul Hartley (guitar); Peter Hartley
(bass guitar); Helen Pillinger (tenor sax); Eryl Roberts (drums)
Last night the group featured was an interesting one in that it included three members of the same family - Carole Williams (keyboards, trombone, vocals); husband Paul Hartley (guitar); and son Peter Hartley (bass guitar).
Helen Pillinger is a fine tenor sax player with a tone and style similar
to that of Hank Mobley in his latter-day period. I thought her feature, Isfahan from
Duke’s Far East Suite, was a great rendition. Looking for
information on the internet I see she went to Leeds School of Music (now Conservatoire)
and later studied at Salford University. The photo shows Carole and Helen on trombone and tenor respectively at the Railway - date unknown.
Carol Williams also did a fine job on her version of Willow Weep For Me her trombone having a nice round brassy sound which I liked a lot. The group’s repertoire was interesting containing a Joe Henderson tune as an opener, three Horace Silver compositions, and one by Jaco Pastorius called Two Views of a Secret that I had not heard before. The band got into a Latin groove on Ivan Lins' tune Madalena which had Carole playing keyboard and singing a wordless vocal alongside the theme. This group is certainly unusual in its approach and I must give a mention to the young bass player Peter Hartley who did everything that was required.
Eryl Roberts again played some wonderful stuff on drums and I would be surprised if he doesn’t turn up tomorrow (August 24) when Paul Hartley’s Quartet features another important member of the Syd Lawrence Orchestra - Mike Hope on tenor sax. Mike Farmer
Recorda me; Looking up; Two Views of a Secret; Strollin; Silver’s Serenade; Willow Weep For Me; Any Song But My Own; Tom Thumb; Madalena; Isfahan,;Come Escape With Me; Filthy McNasty.
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