Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 28, 2015

Song Lyrics - Why do we like them?

(By Ann Alex)
If Lance, Blogmaster, allows, this will be the first in an occasional series of appreciation of song lyrics, a subject which I’m particularly interested in.  
Here goes! It seems to me that the song No Moon At All is especially clever, both lyrically and musically.  I first heard this sung delightfully by Claire Kelly (pictured) a few weeks ago at the Globe, and was intrigued by the idea that it is the opposite of the standard ‘moon in June’ songs.  Then a piece of luck - the song turned up in our repertoire on the Blue Jazz Voices jazz singing course.
It’s written by Redd Evans and Dave Mann:
No Moon at All
What a Night
Even lightnin’ bugs have dimmed their light
Stars have disappeared from sight
And there’s no moon at all

Don’t make a sound
It’s so dark
Even Fido is afraid to bark
What a perfect chance to park
And there’s no moon at all

Should we want atmosphere
For inspiration, dear
One kiss will make it clear
That tonight is right and bright moonlight might interfere

No moon at all
Up above
This is nothing like they told us of
Just to think we fell in love
And there’s no moon at all

As soon as you hear the words no moon at all the song gets your attention because it denies what you expect from a love song and you wonder if it will be a sad tale of lost love.  But the jaunty tune leads you to realise that this is highly flirtatious stuff with a lovely light touch and added humour even Fido is afraid to bark. (When we first tackled this song at Blue Jazz, Lindsay’s dog Chaplin was present as an illustration.  And don’t reverse the words as I did, by swopping round ‘bark’ and ‘park’.  Not what the writers intended!)
You’re not allowed to forget the couple’s intentions with the constant repetition of no moon at all.
I consider that the cleverest line in the whole song is This is nothing like they told us of, which has two meanings, referring to both what people traditionally say about falling in love by moonlight, and also what other song writers have written.  The line is a gentle criticism of all the other lyricists, from Cole Porter to Lorenz Hart to goodness knows who else.
Another favourite line for me is tonight is right and bright moonlight might interfere. These words are sung mostly on one note until we come to interfere, which jumps up to higher notes and so literally interferes with the musical sound.  And of course the internal rhymes within the line add to this effect, then interfere has completely different vowel sounds, so both words and music add to the effect.
I could go on more about the many rhymes and repetitions which are obvious, but I’d become a total bore.  Suffice to say that the last two statements are quite defiant, suggesting that they didn’t need the moon to get them to fall in love, so let’s just leave them to it!
Ann Alex.

9 comments :

Lance said...

Brilliant Ann! Keep them coming. The line, "Tonight is right and bright moonlight might interfere." A quintuple rhyme! Now there's a challenge! Anyone know any other quintuplets?

Anonymous said...

Can't think of a quintuplet at the mo. But noticed this unlikely quad "Cold Cape Cod clams" in a rather famous song. Any ideas ? :) Ken

Liz said...

is this one?
Beans could get no keener reception in a Beanery

Lance said...

Clever, as all of Hart's were, but Beanery and Greenery are just a rhyme not a quintuple one (five!)

Lance said...

There is now!

John Hallam (on F/b) said...

Trying to get people to include the verse is like drawing teeth! Yet the verse is often a little gem and puts the chorus in context. From the age of 78 s "with vocal refrain" the verse might be found as an instrumental, the lyrics being found in the songsheet or original show.

However, many bands take the easy way out and only bother with the chorus - for example the potboilers played to the point of boredom : S'wonderful, Bill Bailey, Doctor Jazz, Stardust , even The Sheik.
I have collected many verses the hard way over 40 years using pen and paper but it is much easier now on the net. So "Please" ( another one) put the verse back where it belongs.

Lance said...

I seem to recall, John,some years ago, a well known singer recording the verse of Stardust and dispensing with the chorus completely. Can't remember who though!

Liz said...

it has a lovely verse, I had it played at Denys's funeral if you remember Lance

Ken Drew said...

I see now that my 4 words were just alliteration !!! Simples compared to triples or quintuplets.
BTW the line "Cold Cape Cod clams" is from 'Let's Do It (Let's Fall In Love)' (Porter). Ken

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