Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar.

Friday, October 25, 2024

Daniel John Martin with Swing Manouche @ the Lit & Phil, Newcastle Oct. 25

©Patti
Daniel John Martin (violin, vocal); Mick Shoulder, Danny Lowndes (guitars); Paul Grainger (bass).

For once the well-oiled machine that is the Lit and Phil went off the rails - no programmes had been printed. Maybe there were leaves in the system, who knows?

So as it was, no advance set list was available meaning that I'm having to work from my not always accurate memory bank.

Nevertheless, it's the music that counts and, in that respect it was hot off the Eurostar from Paris.

©Patti
Exquisite violin playing, authentic sounding guitar and solid double bass support.

Apart from the missing programme - collectors will search the Globe, and all the other north east jazz joints for the elusive item - what could go wrong? Answer: Nothing!

So, from memory (not in the order they were played), we heard: Dinette; I Love You, All of Me (DJM vocal); Nuages; Swing 42; In a Sentimental Mood; Honeysuckle Rose; Au Privave and an original that I didn't catch the title of. There may have been more. No doubt I'll find out on Sunday at the Globe where the band play TWO SETS! If it's anything like this afternoon it will be an I was there moment! Lance

5 comments :

Anonymous said...

Alora was the title of the original.

Hugh said...

For a moment I thought DJM was sporting a blonde pony tail...


...on closer inspection I see it is the shirtfront of the gentleman on the wall behind him!

Bixie said...

1) The technical ability of the man was unquestioned
2) Jazz phrasing was nonexistent
3) He should learn how to swing.
An over-hyped, poor representation of jazz manouche.
Bixie

Lance said...

Bix, old chum whilst we both agree on item 1 I have to disagree on the other 2 points not least your thoughts on swing. Certainly the original hot club didn't swing in the conventional manner. How could they with those guitars chugging away in the background? It didn't matter, they'd created the first, maybe the only, original form of, non-American, European jazz. In that sense they swung differently - vive le difference! Likewise with DJM and co. They've taken the hot club/manouche formula, adhered to it, and done it very well otherwise why do it?
Don't look for something that isn't there. Did you think any less of Armstrong because he didn't play like Miles (or vice versa)?

Rachel said...

When they played at The Globe I was a bit chuffed with myself for being able to name all the tunes, spending time with gypsy jazz friends has rubbed off on me! And after the gig and we were all packing up and I was taking down the bar Daniel asked me if I enjoyed the gig. I mentioned that they hadn't played my favourite tune, Tears. So he got his violin out again and ordered his guitarists to 'play for Rachel ' right by the bar. It was bonkers but fun. Got two solos too. Paul was upstairs on the loo so he missed out 😂

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