Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18994 (and counting) posts since we started blogging 18 years ago. 858 of them this year alone and, so far this month (Oct. 12) 37.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Thursday, August 22, 2024

Album review: Alexis Cole and the Taipei Jazz Orchestra - Jazz Republic (Tiger Turn)

Given the political situation in the Far East, jazz may seem relatively unimportant in Taiwan but that in no way diminishes the quality of this collaboration between NYC based vocalist Alexis  Cole and the Taipei Jazz Orchestra (see graphic at the foot of this post for personnel).

The voice is cool, as befits the material, and the band swings as good as some better known American big bands. With every passing day since King Oliver left New Orleans, jazz has become more and more a universal language and here is the living proof.

Common Ground, a Paul Winter composition from his 1978 eponymous album gets things moving. According to Wikipedia, Winter brought a live, presumably muzzled, wolf on stage when performing the number in concert. Presumably Alexis and the Taiwanese cats didn't follow suit in the studio.

Begin the Beguine has a bit of ad-libbing that breaks up  what, let's be honest, is one of Porter's more boring tunes apart, that is, from Eleanor Powell and Fred Astaire's dance routine in the film Broadway Melody of 1940 or when Artie Shaw played that incredible clarinet glissando a couple of years earlier.

Billy Joel's Uptown Girl is a swingy Basie type arrangement whilst the strings added to I've Grown Accustomed to his Face bring a warmth to the tune that blends well with the piano solo and Cole's interpretation of the lyric suggests that she really believes in what she's singing - lucky guy!

On Bye Bye Blackbird the singer takes quite a few liberties with the melody which is the best way to treat this tune as Miles discovered. Here's That Rainy Day has an effective trombone solo by Michael Wang and Moon River moves along faster than composers Mercer and Mancini intended. A nice clarinet solo by Tom Ranier and a fine piano solo by, er, by the pianist rubber stamp this version.

People Will Say We're in Love. Alexis implores the listener not to throw bouquets at her. What does she want throwing? Rotten tomatoes? I've already ordered a bunch of red roses from Interflora. It is that good!

The notes refer to her polyglot prowess and her poly pro is duly displayed by her Portuguese take on Corcovado.

Beyond the Sea is less in your face than the Bobby Darin version from way back and none the worse for that.

Throughout the album I had the feeling there was some uninhibited scatting just bursting to be let loose and it happens on You Make me Feel so Young. The vocal is quite amazing. Alexis' swinging away like Ella singing Oh Lady be Good then suddenly, for just a few bars, she breaks into a Deborah Kerr-like school teacher giving elocution lessons à la The King and I. Priceless.

Well worth checking out. Lance

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