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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14757 (and counting) posts since we started blogging 13 years ago. 1376 of them this year alone and, so far, 92 this month (Nov. 29).

From This Moment On ...

December

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm..
Fri 03: King Bees @ The Hotspur, Newcastle. 8:00pm. Chicago blues.
Fri 03: Jack Logan & Sax Appeal @ Prohibition Bar, Newcastle. 8:00pm. 'Rat Pack & Bublé'.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 06: Northern Monkey Brass Band @ o/s The People’s Kitchen, Bath Lane, Newcastle 7:00-7:30pm.

Tue 07: Classic Swing @ The Ship Inn, Monkseaton. 1:00pm.
Tue 07: Customs House Big Band @ All Saints Church Hall, Cleadon. 7:00pm.
Tue 07: Dilutey Juice @ Little Buildings, Ouseburn, Newcastle. 7:00pm.
Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Dean Stockdale; Paul Grainger; Tim Johnston. NOTE EARLIER START!

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: Tenderlonius + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Friday, October 06, 2017

Newcastle Festival of Jazz & Improvised Music 2017 @ Black Swan Bar & Venue - September 30

(Review by Steve T/Photos courtesy of Ken Drew).
Julien Desprez took to the stage armed with a guitar and pedals and went straight into what I guess you could call an extended riff, lasting sufficiently long enough to make me wonder whether it would be the whole piece or even set. Europeans don't seem to have the same rush to get to the hook that we do, perhaps it’s a result of our preoccupation with pop music that we seem to do it better than the rest of the world.
Suddenly! he began striking the guitar intermittently, creating an explosion of sound. Long-suffering but eternally patient guitarist observer Mrs T joked he has anger management issues but another lady admitted to actually being a little scared. We were taken on a journey in sound utilising the full arsenal available to a modern day guitarist. He was up and down out of his seat like Westlife through a string of big key changes, when resolution was finally offered, it ended just as it had begun.
Is it Jazz? Is it music or just sound? Is all sound music? Was he playing guitar or could it just as easily have been a keyboard? Or a computer? Does it matter?
Artists generally say they prefer a response - any response - rather than indifference. They want us to love it but would rather we hate it than have nil response. Job done.
Next up, Schnellertollermeier (Andi Schnellmann (bass), Manuel Troller (guitar), David Meier (drums)a straightforward power trio, right? A bit more for the average music listener to hang on to. Very much a group effort, so more Cream than Hendrix, with the powerhouse drummer, obligatory in Progressive Jazz Rock. 
At times reminiscent of Discipline era King Crimson, there were lots of layers of sound, complex poly-rhythms, some bowed bass and much repetition, giving it an industrial feel, perhaps drawing on kraut rock or math rock, subgenres anathema to my field of expertise, maybe because they deliberately jettison any claim to soulfulness, so crucial to the tradition of Black American Music.
Rather than any Hendrix type blowout, the guitar sound remained more indie pop. A bit 'punk' my wife claimed, a major trigger word for me, but this wasn't punk at all, this was real. The crowds watching the pop/rock guitar covers band in the pub up the road, or Elvis with Nirvana at the 02 Academy would have done themselves a favour visiting the Swan instead of deluding themselves theirs was an act of rebellion.

Guitar joined by sax on the surface seemed more accessible than solo guitar but, when saxophonist Mette Rasmussen joined Julien Desprez, this proved the most difficult and challenging set of the evening.
Think Ornette and James Blood Ulmer on superskunk, turned up to twelve and furious over something. Steve H argued vociferously she's up with the best saxophonists he's ever seen anywhere ever and I have no argument with the level of virtuosity, but it's never enough on its own. Just when you thought they'd finished, they came back fiercer, faster, furiouser.
Not the sort of thing I would listen to more than once, but maybe that's the point.

Many, young and old, clearly couldn't get enough of this stuff but, those of us for whom this wasn't an entirely comfortable zone, Troyka (Chris Montague (guitar), Kit Downes (keyboards), Joshua Blackmore (drums) proved a welcome respite.
Not that their music is in any way straightforward or easily accessible. Lots of funky, syncopated drumming, lots of Progressive Jazz Rock and more pedals than a tandem tour, with weird sounds coming from guitar and keyboards alongside a warming approximation of a classic Hammond organ sound. If the earlier band were more Trio of Doom, that would make Troyka more akin to Lifetime.

So, much to cherish for anyone who likes John McLaughlin and/or Tony WIlliams and something for Jaco and Larry Young people too, Troyka also reminding me of post Jaco Weather Report at times.
Some had the night of their lives, others didn't. Some were sufficiently intrigued for it to be essential, others weren't. 

2 comments :

stevebfc said...

I had been looking forward to this gig from when it was announced Julien Desprez being one my favourite guitarists and Mette Rasmussen one being one of my favourite saxophonists and I certainly wasn't disappointed by either performer. I still stand by my hyperbole of the evening about how great I think the pair are. The opening solo set by Desprez was so dynmamic and creative that it did disturb my friend but the excitement of having no idea about what was going to happen next was for me exhillirating. As for Schnellertollermeier they were more Swiss rock and roll rather than Jelly Roll. Troyka had the disadvantage of coming on after the amazing Desprez/Rasmussen set so it took a while to adjust their stuff but a few minutes I managed to retune and enjoyed the rest of the set immensely

Steve T said...

Great - some discussion.
I remember I used to play Dancing Queen (my wifes of course) after Tranes 57 mins of My Favourite Things, 2 tracks off Judy Mowatts Black Woman after Petrushka, and Spice Girls after Ravel.
I guess you do it in reverse.

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