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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

The John Potts Story


Ted Fry of the notorious Figleaf Jazz Band passed your e mail on to me. So great to hear from you. You say from a website people are hunting me down – hope it’s not collection agencies after the 3 quid I borrowed from Joe Shenton in 1951. You are right about the College of the Venereal Bede connection – we were there at the same time – moi from 57-59. Do you remember GE Selby of the English department – he tolerated some of our more bizarre interests in eng lit. Keith Oglesby was my room buddy and he had the entire Frank Sinatra Capitol recordings at the time – big influence in later years.

I think 1957 was the year I started with the River City Jazz Band of Newcastle. In the early 1950s I had started with Tojo’s Jazzmen from Gosforth with me on mandolele (cross between mandolin and ukulele) and Tojo on bass trombone – we played Norrie Paramour arrangements – the reedman played an A clarinet while the rest of us were in Bb so we had some very advanced dissonance for the time! A little later I played banjo in Clem Avery’s Jazzmen with Peter Cole on piano – we were both at Heaton Grammar where there was quite a bit of jazz – and pitched fisticuffs between the trad jazz maniacs and the Stan Kenton aficionados.

Around 1952 Peter Cole and I formed a band with Johnny Handle on piano (he later moved on to folk and the High Level Ranters) with Colin Beale on clarinet and Chas Cole on drums, Pog Hall on banjo. We played some dances at All Saints Youth Club in Gosforth. Called up for 2 years in the RAF 54-56.  

Meanwhile Ray Shenton, Herbie Hudson and Harry Stevenson who had heard us at All Saints were involved in a mouth organ band called the Harmonica Hoodlums coached by Maxie Share who had a music store in the Grainger Market. After I got demobbed I was working as a porter at Newcastle Central Station when this bloke told me on a coffee break that the only other person he knew who wore orange crepe sole shoes was a geek called John Potts. By this time heavily bearded I confessed that it was indeed I. Ray said that they had recently formed a band called The River City and that their trumpet player had just been called up for national service and was I interested in playing for them – did Harold Wilson vote labour!! – of course I joined up right away and played with them until 1962. Great fun years with Ray Shenton on the oldest tuba in western Europe, Joe Shenton on washboard, Herbie Hudson trombone, Harry Stevenson on clarinet, Brian Sampson on drums, Colin Hopper on banjo and self on trumpet.

Ray Shenton tracked me down through the Figleaf Jazz Band website and we have corresponded a few times and exchanged photographs of the early River City.

I was married in 1960 with a sweetheart I met at the Downbeat Club in Newcastle. With two kids we headed off to teach in Cadiz Spain in 1962. Returned to Gateshead in 1963 for a year then off to Ankara Turkey to teach for 4 years before emigrating to Canada with 5 kids (a Canuck baby added in 1974). Didn’t play any jazz until about 1973 when my mom-in-law brought my trumpet from  Blighty. I had no case and carried it around in a paper bag. Fell in with the early Figleaf Jazz Band about this time – by coincidence the piano player is Geoff Mulholland from Walker, Tyneside (didn’t know him in the UK), Roger Kerslake trombone played with various bands in Devon before coming to Canada. Ted Fry drums and Dildo Dave banjo were mates in Toronto recently deported to the Great Frozen North for unsavory behaviour. Bass player Bruce Rumble was at the time an acne blighted teenager – now in appalling physical decline like the rest of us. 28 years later the band still has the same personnel although we have gone through several reed players two of whom passed on to celestial (or otherwise) endeavours some time ago.

Glad to hear that the Ashington Jazz Club is going strong. Perhaps you can send me some stories about jazz in the northeast. The 1970s and early 80s were the halcyon days for the Figleafs – bars, ski clubs, restaurants often 4 or 5 times a week. In recent years there has been little interest in trad jazz and we are regarded as pre-Jurassic dinosaurs. The band gets a few summer jobs in parks and plays the Simcoe County Jazz Society once a year. I play mostly now with a group called Moonglow which as a trio concentrates on swing style while as a duo (plus computer) play senior citizen residences – standards (Gershwin, Porter, Rodgers-Hart), Irish, Scottish, Newfoundland, novelty songs.

You were pretty accurate guessing my age – actually I’m 75 pushing 76. I would love to hear about your adventures since Bede College.I think you found the figleaf website which also has a link to Moonglow. If you listen to the musical examples you will hear that my excruciating tone has deteriorated over the years and my pathetic technique is even more pitiable.

http://rstrathdee.com/
moonglow/
John Potts (pottsi with a small pee.)
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Original post. from George Simpson.

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