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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 29: True Colours @ Barrels Ale House, Berwick. 9:00pm. Blues, jazz & swing.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: FILM: Soul @ Forum Cinema, Hexham. 2:00pm. Jazz-themed film animation.
Thu 04: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 04: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Sunday, December 30, 2018

Christmas Celebration @ Coventry Cathedral - A Concert of Sacred Music by Duke Ellington - Dec. 29

(Review by Cormac Loane).
As a resident of the West Midlands for over 30 years, I have often visited the beautiful and inspiring Coventry Cathedral. And, each time I have done so, I have recalled a photograph I saw in Jazz Journal during the mid-1960s of the Duke Ellington Orchestra performing there. So when I found out recently that ITV footage of that 1966 concert was to be shown at the Cathedral on December 29 (last night!) this year, this was too good an opportunity to miss. 

The concert was the European premiere of Duke Ellington’s first Concert of Sacred Music, and it reportedly came about because Ellington, having heard about the opening of the new Coventry Cathedral in 1962, contacted the Cathedral authorities to ask if they would be interested in hosting the event. A film of the concert, shown on ITV television at the time, was thought to have been lost long ago. However, it was recently rediscovered, and through the work of Ghost Town, an archive television project, working in collaboration with other local organisations, the film has now been digitally restored in preparation for this, the first public viewing in over 50 years.

When I arrived at the Cathedral an hour before the scheduled viewing I was amazed to find it already packed out with the licensed bar and gentle background music giving this place of worship something of the ambiance of a jazz club. 

The black and white film, entitled Celebration, had characteristic 1960s camera work and the sound quality was less than brilliant, but it demonstrated the incredible innovation and creativity of Duke Ellington’s sacred music. This was quite different to the music I had heard at his 70th Birthday Concert which I attended (along with Lance) at Newcastle City Hall in 1969. Although equally brilliant, the City Hall concert comprised mainly performances of Ellington’s standard jazz repertoire.

The Celebration film opened with New World A-Comin’, a really interesting solo piano performance by Ellington after which the Duke spoke briefly, but inspiringly, about the new world he was looking forward to – “a world without war” and “a world without categorisation.” It was particularly appropriate for these words to be spoken in Coventry, the City of Peace and Reconciliation, and they are, arguably, as relevant today as they were in 1966. This was followed by an extremely slow and haunting performance of Come Sunday, featuring  Johnny Hodges (my alto sax hero until Lance sold me my first Charlie Parker record at Windows in 1969). In the Beginning God included almost operatic-style singing from baritone George Webb, an exciting tenor sax solo from Paul Gonsalves and choral contributions from the Cliff Adams Singers – well-known at the time for their long-running BBC radio show Sing Something Simple. The concert continued with the calypso-inspired West Indian Pancake and ended with La Plus Belle Africaine, featuring a fantastic drum solo from Sam Woodyard (using mainly hands rather than sticks) and a bowed double bass solo from John Lamb. In the course of the concert, we also heard beautifully controlled and mellow playing from clarinetist Jimmy Hamilton and trombonist Lawrence Brown, as well as unbelievably high-note (yet tasteful) trumpet playing from Cat Anderson.

It was a truly memorable occasion and a very special experience to hear Duke Ellington’s wonderful Sacred Music in the same beautiful space where it was performed and recorded all those years ago.
Cormac.

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