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Bebop Spoken There

Dave Newton: "Having got my Grade 8 pretty early, it was only then that the piano was taking over. But this was happening outside of school really, as the music teacher at this particular school didn't like me or the kind of music I liked." (Jazzwise February 2019).

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Today Tuesday January 22

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jam session - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. House trio: Mark Williams, Paul Grainger, Russ Morgan.

Alter Ego - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 23, 2018

Harlem Bound with Rendezvous Jazz @ The Monkseaton Arms - Nov 23

Maureen Hall (vocals); Jim McBriarty (clarinet, vocals); Don Fairley (trombone); Malcolm Armstrong (keyboards); George Davidson (drums, vocals) + Doris Fenn (banjo)
(Review by Russell) 

Fresh from another successful weekend away in Bellingham Maureen Hall's Rendezvous Jazz reported for duty at the Monkseaton Arms ready to resume the band's ever-popular weekly residency. 

It was good to see Don Fairley back on the stand, taking his seat alongside Jim McBriarty, either side of band leader Maureen Hall. That Teasin' Rag got things underway, Do You Know What it Means to Miss New Orleans? with Hall's vocals, then drummer George Davidson singing Hello Dolly, a typically varied Rendezvous Jazz setlist. 

Rockin' Chair, Hall again, this time singing We Shall Walk Through the City (Don Fairley's quicksilver trombone solo), the London Pride tasting just fine, a nice way to spend an hour or two down at the coast. Raffle time, nothing new to report there. 
 Clarinettist Jim McBriarty sings a tune or two and he opened the second set with It Don't Mean a Thing (if it Ain't Got That Swing) with the great Doris Fenn sitting-in on banjo. Hall offered a measured reading of As Time Goes By supported by the fine instrumentalists at her side. Our band leader went on to offer McBriarty his clarinet part for Harlem Bound...or so she thought.* The band proceeded to play the tune with more than one raised eyebrow in the ranks. Something wasn't quite right. It took a while until Hall realised she'd handed McBriarty the alto sax part. Much hilarity ensued.   

Baby, Won't You Please Come Home? vied for the highlight of the afternoon, pianist Malcolm Armstrong was his mischevious self during the session, at one point throwing in two bars of Jingle Bells (howay, man, it's only November 23!), Hall singing Bill Bailey restored a semblance of order and as three o'clock approached When You're Smiling sent us on our way.
Russell

As your correspondent made to leave, bandleader Hall asked/attempted to bribe Bebop Spoken Here not to mention the Harlem Bound episode. It should be made clear that BSH reports without fear or favour, telling it as it is. Although, come to think of it, a pint of London Pride could have bought its silence!   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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