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Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Monday October 15

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 04, 2018

Milne-Glendinning Band EP launch @ Charts, Newcastle - October 3

Debra Milne (vocals); Steve Glendinning (guitar, vocals); Katy Trigger (bass, vocals); Paul Wight (drums)
(Review/photo of Charts by Russell/Band photos courtesy of  Ken Drew)

Vocalist Debra Milne and guitarist Steve Glendinning's recently formed quartet serves as a performance vehicle for their songwriting collaborations. A recording session produced material worthy of release and this gig at Charts on Newcastle Quayside marked the official launch of their MGB EP. 

Charts, part of the Pub Culture business venture, has been a supporter of jazz from the day it first opened its doors earlier this year. An established weekly jazz jam session, a new blues jam session in the offing, the swish riverfront hostelry proved to be the ideal choice of venue for the occasion.
One change in the line-up - Paul Wight depping on drums - otherwise it was the regular quartet; Milne, Glendinning and bassist Katy Trigger. Show Me the Man sang Milne, the sound balance just right on the mezzanine floor performance space, following up with another original composition (Don't Come Round Here), the title of which wasn't so much an oblique Ellingtonian observation, more a command! No messin'!

Milne's lyrics to a ballad written by piano maestro Alan Glen (Easy Go), a swipe at Trump's hard-core support (Most People) with Glendinning and Trigger taking it out with their effective backing vocals, MGB's first set was a varied affair. 

Another pint of Radgie Gadgie, a look at some of the many artworks adorning Charts' back-to-the-brick walls (including framed LP covers...Miles Davis' Kind of Blue, Eric Dolphy's Out to Lunch, Lee Morgan's Sidewinder), and MGB's second set was soon upon us. 

Too Busy for Thinking (a Milne-Bradley Johnston co-composition) resumed matters. Boppish with a kind of Hendricks, Lambert and Ross feel about it, then straight into another Milne-Johnston piece titled Soulmate. Depping drummer Paul Wight set up a Blakey-esque march on Killer Joe, Glendinning killing, Milne scatting, and out. The MGB EP launch evening closed with the familiar Blame Game
Russell.

Photos.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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